Longtime Fans Looking Forward to RIMHOF Induction Ceremonies

Published in Woonsocket Call on April 23, 2017

With extreme regularity, Pawtucket West High School student Steve Cohen arrived every Monday and Tuesday night at Lupo’s Heartbreak Hotel in Providence just like clockwork to listen to his two favorite Rhode Island bands, Rizzz and the Wild Turkey Band. Next Sunday, Cohen and hundreds of other people will gather at the Hope Artiste Village mill complex to see Rizzz, Wild Turkey and Hometown Rockers and eight other inductees be brought into the Rhode Island Music Hall of Fame’s Class of 2017.

The Pawtucket-based RIMHOF, formed in 2011, is a nonprofit organization dedicated to celebrating, honoring, and preserving the musical legacy of Rhode Island
musicians, educators and industry professionals who have made significant contributions to both the national and Ocean State music scene.

Looking Back at Over Forty Years of Musical Memories

Cohen, 63, who considers himself a music aficionado, remembers going to long gone Rhode Island music hangouts like The Act, January’s, The Edge and Gulliver’s to catch a set or two of Rizzz and the The Wild Turkey Band/Hometown Rockers. The native Pawtucket resident says that his love for music began at age 16 and continues to this day.

“I know every original song played by Rizzz and Wild Turkey Band by heart,” claims Cohen.

Rick Bellaire, 62, Vice Chair of RIMHOF, has memories of how Rizzz helped change the course of his musical career. “When I was in my freshman year at Rhode Island College, I was playing in a hard rock cover band to pay my way through school. It was very successful, but I didn’t like the music,” says Bellaire. After watching the original 6 piece lineup of Rizzz play a song by The Band followed by an original to a packed house at Gulliver’s in Smithfield, he said to himself, “Now that’s what I want to do.”

Bellaire gave notice to his hard rock band the next day and never looked back. “You’ll find dozens of musicians in southern New England whose experiences with Rizzz, Wild Turkey and Hometown Rockers were similar,” he says.

After the Rizzz and The Wild Turkey Band/Hometown Rockers officially broke up, over the years Cohen and Bellaire regularly attended these band’s reunions. Being by the stage at these reunion shows brought a flood of memories from over 40 years earlier to Cohen from the days he followed the two local bands as a high school and later a college student.

Cohen is adamant that Rizzz and The Wild Turkey Band/Hometown Rockers were great bands in the ‘70s and ‘80s. After attending their recent reunions he says these bands have not lost their “mojo.”

Reunions are always special occasions, like anniversaries, fund raisers, and they are never disappointing to Bellaire. “As good as they ever were. So not ‘better,’ but just as great. Rizzz still has all 10 members from the various lineups – how could it not be great!

It’s the same with Wild Turkey/Hometown Rockers. Although they’ve lost some important original members – Pat Davis, Paul Gaudette, Kevin Falvey – they always have top notch players who are also fans sitting in for those guys and they feature the principal frontmen from each configuration, John Baldaia and Tom Keegan. When they get together, it’s always incredible,” Bellaire says.

With the establishment of the Rhode Island Music Hall of Fame six years ago, through the efforts of Bellaire and others, Rizzz and The Wild Turkey Band/Hometown Rockers and eight other inductees – Artie Cabral, Phil Greene, Dan Moretti, Neutral Nation, Billy Osborne, Plan 9, Frank Potenza and Throwing Muses – will be inducted in 2017.

Musicians Get Long-Awaited Recognition

“The Music Hall of Fame initiative,” says Rick Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve their music and stories. We have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Adds, Robert Billington, Chair of RIMHOF, “The Hall of Fame Induction Ceremony and concerts have become the place to be and be seen at as we continue to showcase the fascinating history of Rhode Island’s musical heroes. The events are a virtual ‘who’s who’ of Rhode Island music history.”

With ten inductees in RIMHOF’s Class of 2017, organizers split this year’s celebration into three separate events with the Jazz and R&B inductions taking place last Sunday at the Greenwich Odeum. There will be two more induction concerts held at The Met next weekend. On Saturday, April 29, at 8:00 p.m., the 2017 RIMHOF Rock Induction Concert – Part I will feature performances by Plan 9, Neutral Nation, and Kristin Hersh, David Narcizo, and Fred Abong of Throwing Muses.

On Sunday, April 30, the unveiling of all ten RIMHOF Class of 2017 inductee exhibits will take place at 2:00 p.m. at the Pawtucket-based Hope Artiste Village, 999 Main St., followed by the 2017 RIMHOF Rock Induction Concert – Part 2 featuring Rizzz, Phil Greene, and the Wild Turkey Band/Hometown Rockers, beginning at 3:00 p.m.

Since its initial induction six years ago, a total of 53 inductee exhibits were produced. Eventually, the Pawtucket museum will hold more than 100 displays as well as assorted Rhode Island musical history memorabilia and interactive components for the visitors to enjoy.

Tickets for the April 29 and April 30 events at The Met are $20.00 in advance and $25.00 at the door. While the Unveiling Ceremony is free, a ticket will be required for entrance to Sunday’s 3:00 p.m. concert in The Met. Tickets for the April 29 and April 30 concerts can be purchased at themetri.com.

All proceeds from RIMHOF’s annual induction events go toward creating the museum displays, acquiring recordings and memorabilia, and digitizing that collection for permanent online access for future generations. All organizational work has been donated by RIMHOF’s Board of Directors and volunteers.
For profiles of the inductees, visit http://www.rhodeislandmusichalloffame.com.\

 

Abate Joins Exclusive Class of Musicians

Published in Woonsocket Call on February 28, 2016

Sometimes a simple happenstance can propel a person into life’s mission. This happened to nine-year-old Greg Abate, when his mother, Elvira, rented a clarinet from a traveling salesman who just by chance came by their Woonsocket home. A rented instrument led to the youngster joining his school band, where he began playing clarinet and alto sax.

Abate has come a long from his first music recital to his elementary school classmates. More than 27 years of playing in Jazz Festivals, Jazz Societies and Jazz Clubs, even being tutored by some of the greatest jazz players, has pushed him to the top of his craft.

Now, in recognition of Abate’s long musical career and being a driving force in the world of jazz, in April the Rhode Islander will be among the eight new inductees who are brought into the Rhode Island Music Hall of Fame (RIMHOF). His fellow inductees include: Frankie Carle, Bill Harley, Carl Henry, Carol Sloane, Sugar Ray & The Bluetones, Richard Walton and The Fabulous Motels/The Young Adults/Rudy Cheeks.

According to Rick Bellaire, Rhode Island Music Hall of Fame (RIMHOF)’s Vice Chair and Archive director, “Greg Abate is one of our state’s most popular and successful musicians. He has been well-known in southern New England for forty years and has been a star on the international stage for the past thirty. At the beginning, the board wanted to establish credibility by adhering to chronology and inducting historical figures first in many categories. With the inductions of Bobby Hackett, Dave McKenna, Paul Gonsalves, George Wein and George Masso, this year’s jazz inductions of Frankie Carle, Carol Sloane and Greg establish an unbroken line which not only stretches all the way from the 1930s to the present, but clearly illustrates Rhode Island’s truly important place in jazz history.”

Bellaire adds, “Greg is universally recognized as one of the finest players performing and recording today. His massive body of work and international touring history clearly place him on the list of all-time greats. Here’s a good example. Greg’s new album, Kindred Spirits, recorded with legendary alto saxophonist Phil Woods, has just been released. Although the late Mr. Woods had been recording since the 1940s, Greg has clearly leveled the playing field. In a review of the album for the All About Jazz website, Edward Blanco declared, “…both masters are at their best.”

Before he died last September, Phil Wood, considered one of the best alto saxophone players, said, “I sleep a lot better knowing that there are alto players like Greg. It was a joy to make music with him and he writes good songs that are challenging.”

Playing With the Greatest

Upon finishing a four-year program at Berklee College of Music, Abate joined the Los Angeles jazz scene, playing with David Clark Expedition and other local rhythm and blues groups. An audition led to his first high-profile gig, playing lead alto for the Ray Charles Orchestra from 1973 to 1974. He would record his first record with this group.

Abate came back to the Ocean State in 1976 to launch his career, forming the fusion band Channel One, ultimately releasing his first album, Without Boundaries, in 1981. Playing throughout Connecticut to New York for seven years brought attention to this group and made it a favorite of many New Englanders.

At that time, “I wrote lots of music and did a lot of hard, serious playing,” he remembers. The young musician took an opportunity to play tenor sax with the revived Artie Shaw Orchestra under the leadership of Dick Johnson from 1986 to ’87. For the next two years he would play with the Providence-based Duke Belaire Jazz Orchestra, honing his musical skills. “I received some of my greatest musical education from some of the greatest players from this band,” he says.

Working and learning from the greatest, Abate would begin a solo career showcasing his unique style bring him worldwide notice.

Today, Abate, a sixty-six year old Coventry resident, is internationally acclaimed for his mastery of jazz. He says, “Music found me, I did not find it.” Over his musical career, the jazz saxophonist, flutist, composer and educator, has released 18 recordings.

Last year, Abate traveled over 200 days playing in Jazz Festivals, Jazz Societies and Jazz Clubs. He has performed in 30 countries, playing in every state in the national, except Montana, Alaska and Oregon.

Looking back at his career, Abate says, “The tradition of jazz is very important to me and I take it very seriously. Jazz is just in my blood.”

RIMHOF’s Fifth Class of Inductees

Robert Billington, Chair of the RIMHOF noted, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their success.”

“The Music Hall of Fame initiative,” says Rick Bellaire, vice chair of RIMHOF, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our planned online digital archive, we will have in place the tools to curate and showcase the best of Rhode Island’s musical artists.”

This year’s induction ceremonies and concert events will take place on three days, April 21, April 24, and April 30, and will take place at three separate locations.

The jazz inductions will take place on Thursday, April 21, 7:00 p.m. at Chan’s, 267 Main St., Woonsocket. Being honored on April 21 will be Frankie Carle, Greg Abate and Carol Sloane. Supporting Abate and Sloane in their musical selections will be Tim Ray on piano, bass player Marty Ballow and Marty RIchards on drums. Tickets for the April 21 event at Chan’s are $15.00.

The 2016 RIMOF Induction Ceremony and Concert is set for Sunday, April 24, 2:00 p.m. at The Met and Hall of Fame itself, both located within the Hope Artiste Village Complex, 999 Main St., Pawtucket RI. Sunday’s afternoon event will include the unveiling of eight new exhibits (now totaling 48 exhibits) as well as performances by The Young Adults, Sugar Ray & the Bluetones and Bill Harley performing a set of his adult music. This concert will be proceeded by the unveiling of all eight 2016 inductee exhibits. Tickets for the April 24 event at The Met are $20.00 in advance and $25.00 at the door. The 2 p.m. unveiling of the inductee exhibits are free and open to the public; a ticket will be required for entrance to the 3:00 p.m. concert in the Met.

On Saturday, April 30, 2:00 p.m., Bill Harley will be presenting a family show featuring selections from his award-winning children’s recordings at the Blackstone River Theatre, 549 Broad St., Cumberland. Tickets for the April 30 event are $6.00 for children and $12.00 for adults with a family cap of $ 36.00.

Tickets for the three separate events can be purchased by visiting:
http://www.rhodeislandmusichalloffame.com.

Slater Mill Showcases Classic Rock ‘n’ Roll Flick  

Published in the Woonsocket Call on October 11, 2015

When planning the 2nd Annual S.A.M. Fest, in conjunction with this years Pawtucket Arts Festival, Slater Mill’s Executive Director, Lori Urso scheduled a showing of Jim Wolpaw’s “Complex World.” Urso, also a professional musician, knew featuring the film at her event in August was a great way to both promote a local Providence filmmaker and give homage to The Young Adults, a popular rock band playing at the nonprofit’s weekend festival, too.

Rediscovering a Classic Film at S.A.M. Fest

On Aug. 30, more than 80 people gathered early evening at Hodgson Rotary Park to watch on a big outdoor screen the 81-minute offbeat cult rock ‘n’ roll comedy filmed at Providence’s Lupo’s Heartbreak Hotel. While the film attracted the curious, many adoring and loyal fans of The Young Adults came to check out the flick, too, says Urso.

The Complex World captures one night at Lupo’s Heartbreak Hotel, with its zany plot involving terrorists, political conspiracy, 100 pounds of explosives in the bar’s basement and drugs, with music from iconic Providence bands such as the Young Adults, NRBQ and Roomful of Blues. The film had a brief two-month run in a Boston and one week in New York City, and it garnered good reviews. However, a distribution deal with Hemdale, a major film distributor that released “The Terminator” and the “Last Emperor,” fell through, ending up in a lawsuit. Even though Wolpaw won his case and a small settlement, the legal battle sealed the film’s fate. Over the years, the filmmaker’s DVDs have been sold on a website, and the last public showing was in 2010, for two days at the Providence-based Cable Car to raise money for a local charity.

Urso, 51, remembers being an extra during the 1987 film shoot, “a biker chick hanging out in the bar’s parking lot” at 79 Washington St.  “Quite a few people that I knew showed up to be extras that night. I’m glad I was able to be part of it,” she said.

Rudy Cheeks one of the founders of Young Adults and co-writer of the Phillip & Jorge column published in “Motiff Magazine,” was in attendance during the S.A.M. Fest screening, and he observed people of all ages in attendance, many of whom watched the film for the first time.

Even though the film was produced about 25 years ago, “it’s held up pretty well over the years,” says Cheeks. “The strongest part of the film was its ‘mise en scène,’ the capturing of the inside atmosphere of the bar.”

Adds, Rick Bellaire, Chair and Archive Director of Pawtucket-based Rhode Island Music Hall of Fame, the Wolpaw’s Indie film produced outside of the major film studio system, is a great Rock and Roll documentary.  “It was a snap shot of what was happening in the Rhode Island music scene at the time the film was shot,” he says.

The Making of a Classic Film

While it took about two-and-a-half months to shoot the film in 1987, it took more than two years to bring “Complex World” to the screen of the Cable Car Theatre in 1990, says Wolpaw, noting that it ran for a record four months. The veteran filmmaker, who was nominated for an Academy Award for a 1985 documentary, was brought into this film project by Rich Lupo, the owner of Lupo’s Heartbreak Hotel, who just happened to be his roommate at Brown University and later a bartender and manager at the Providence bar.

In 1970, when both young men graduated from Brown University they shared their dreams. Lupo planned to open up a bar with music while Wolpaw wanted to become a filmmaker.  Wolpaw agreed to use Lupo’s bar in film if he opened on up.  “I never would have believed at that time we would both end up at that place,” says Lupo.

According to Wolpaw, the efforts to create and fund a film began a year before the bar was going to be torn down to make way for condos. The film was to use Lupo’s as a basis for the movie to “explain the spirit of the bar,” he said, noting that it would be shot like a documentary film.

Lupo invested the most to produce the film, but with increased costs, other friends chipped in, said Wolpaw. The unique film stood out among films that were produced in Hollywood, he said, “noting it was not the typical movie.”

Two years of editing and reshoots would later result in the final film, says Wolpaw, noting that over the years and even at the Slater Mill screening he “had trouble watching it.” Shooting the film like a documentary just did not work for the plot, he said, but it captured an early era of the Providence music scene.

Even after more than two decades since being released, orders for “Complex World” keep trickling in, says Wolpaw, who has worked as an adjunct film professor at Emerson College in Boston, the University of Rhode Island and the Rhode Island School of Design. He is pleasantly surprised that orders come in from such faraway places as British Columbia and France.

A Prolific Filmmaker  

Besides his Classic “Complex World,” Wolpaw is known for innovative approaches in considering artists and issues in the arts, and he has an impressive number of films under his belt:  “Cobra Snake for a Necktie” (Showtime 1980), a portrait of rock ‘n’ roll legend Bo Diddley; “Loaded Gun: Life, and Death, and Dickinson” (PBS 2003, INPUT 2004), a quirky look at poet Emily Dickinson that was chosen by “The Library Journal” for its list of Best Poetry Films; and “First Face: The Buck Starts Here” (PBS 2011), an accounting of the dollar bill portrait of George Washington.

Even at 67, Wolpaw, who has won awards at more than a dozen film festivals worldwide, has not slowed down. He is still working on three projects, a film about Cleveland poet and activist Daniel Thomson, one detailing the history of Rhode Island’s Ladd Center and a fictional narrative film about poet Dickinson. Hopefully, they will have a long shelf life and audience like “Complex World.”

“Complex Word” can capture viewers who wish to relive their experiences at Lupo’s, and purchases of the DVD benefit the Gloria Gemma Foundation and Advocates in Action. For details, go to www.complexworldthemovie.com.

 

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Rhode Island Can Hold Its Own When It Comes to Music

Published in Woonsocket Call, on March 15, 2015

New York, L.A. and Nashville have long been considered the music capitals of the United States. Now, with the Rhode Island Music Hall of Fame gearing up for its fourth annual induction season, Little Rhody is poised to prove it has the right combination of musical talent to hold its own against these highly regarded music communities.

Next month, trombonist/composer George Masso and 12 others join an elite group of Rhode Island musicians: those who have been recognized not only for their major impact on Rhode Island’s music scene but also on the national stage. Cranston native Masso, along with the other new inductees, will be enshrined by the Rhode Island Music Hall of Fame (RIMHOF) at this year’s induction ceremonies and concert events. Every year the Pawtucket-based nonprofit, formed in 2011, celebrates, honors, and preserves the legacy of Ocean State musicians, educators, and industry professionals.

Rick Bellaire, RIMHOF Vice Chair and Archive director, says it was an easy choice to recognize the 88-year-old musician. “During his illustrious career, George has excelled in just about every area of the music business – trombonist, composer, pianist, recording artist, arranger and educator,” adding that the George played with many of the national big bands in the 1940s and ‘50s and has toured and recorded as a sideman with some of our greatest jazz legends including Benny Goodman, Bobby Hackett and The World’s Greatest Jazz Band.

According to Bellaire, Masso has also released more than a dozen albums as a leader which feature many of his own compositions. “He also taught music in the Cranston public schools for eleven years and another eight years at the University of Connecticut mentoring some of our finest musicians including RIMHOF inductees,” says Bellaire.

George Masso will be inducted into RIMHOF along with Mark Cutler and his bands, The Schemers and Raindogs; Brenda Bennett, Nelson Eddy, George Wein, Duke Belaire, Paco Zimmer; Georgie Porgie & The Cry Babies, The Others and The Ascots (recognizing the great Rhode Island garage bands of the ‘60s); and Bob Petteruti, Marty Ballou and Marty Richards (in the new “MVP sideman award” category).

“This year, we will be honored to have some of the most senior inductees with us,” he continued, “all of whom are still active participants on the music scene, including Mr. Masso, drummer/band leader Duke Belaire (83) and bassist/educator Bob Petteruti (85).”

The Music Hall of Fame initiative,” says Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Adds Robert Billington, Chair of RIMHOF noted, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their successes.”

“Our Induction ceremony in April has become the place for a ‘who’s who’ in Rhode Island music. The Rhode Island Music Hall of Fame Induction Ceremony and Concert is the place to be and be seen at as we continue to showcase the history of Rhode Island’s musical heroes,” says Billington.

This year, Bellaire said, there will be two induction events, and 11 more displays will be unveiled to celebrate inductees. Eventually, the museum will have more than 100 displays as well as memorabilia and interactive components.

The 2015 induction ceremonies will take place on two days, April 20 and April 26, at two separate locations.

The jazz inductions will take place on Monday, April 20, 7:00 p.m. at Bovi’s Tavern, 287 Taunton Avenue, East Providence, before the weekly performance by the Bovi’s big band, the John Allmark Orchestra. Being honored on that day will be George Masso, Bob Petteruti and Duke Belaire, the founder of the Bovi’s band.

The Induction Ceremony and Concert is set for Sunday, April 26, 2:00 p.m. at The Met and Hall of Fame itself, both located within the Hope Artiste Village complex, 999 Main St., Pawtucket, RI. Sunday’s afternoon event will include the unveiling of nine new exhibits as well as performances by The Schemers and Raindogs, Brenda Bennett, The Ascots, The Others, and an all-star jam session led by two of this year’s MVP sideman award winners, Marty Ballou and Marty Richards. Sunday’s concert will be preceded by the unveiling of eleven new 2015 inductee exhibits.

Tickets for the April 26 event at The Met are $20.00 in advance and $25.00 at the door. The 2 p.m. unveiling of the inductee exhibits is free and open to the public; a ticket will be required for entrance to the 3 p.m. concert in The Met. Information regarding the April 20 event and tickets for April 26 can be found at www.rhodeislandmusichalloffame.com.

All proceeds from RIMHOF’s annual induction events go toward creating the museum displays, acquiring recordings and memorabilia, and digitizing that collection for permanent online access for future generations. All organizational work has been donated by members of the Board Of Directors and a staff of volunteers.

For general information regarding the Rhode Island Music Hall of Fame, contact Dr. Robert Billington at 401-724-2200 or at bvri@aol.com.

Herb Weiss LRI ’12 is a Pawtucket-based writer who covers aging, health care and medical issues.  He can be reached at hweissri@aol.com.

Leonard Hits High Notes

Published February 27, 2015 in Senior Digest

Before even cutting his first record, little did Pawtucket’s George Leonard realize that he would help set legal precedents for student dress codes as well as ultimately make it into the rock ‘n’ roll history books and now, in 2015, into the Rhode Island Music Hall of Fame (RIMHOF).

When Leonard’s family relocated to nearby Attleboro in 1964, the young high school student was tossed out on the first day of school for having a “Beatle-length” haircut. Already an established professional musician, Leonard filed a freedom of expression lawsuit against the School Department, which dragged on through several appeals and wound up in the Massachusetts Supreme Court. Although the court finally sided with the School Department, it was too late.

“This was a landmark case. Students all over the country, following George’s example, began demanding their right to freedom of expression as guaranteed by the U.S. Constitution. Long hair became the order of the day,” said Rick Bellaire, RIMHOF vice chair and archive director.

The teenager deftly capitalized on the intense interest generated by the internationally publicized lawsuit, which brought his band, Georgie Porgie & The Cry Babies, onto the thriving New York City discotheque scene of the mid-1960s.

The popularity of the band led to two national releases for Jubilee Records. After the Cry Babies ran its course, Leonard composed and produced the controversial rock opera, “Bozo.”   He later, under his alter-ego, “Commander Video,” became a cable TV pioneer on the blossoming performance art scene in New York City in the 1970s.

Although the 67-year-old musician resides in Bristol, he still strongly feels his connections to Pawtucket. “I only perform for my friends these days,” says Leonard, admitting that he enjoys playing jazz much more than rock ‘n’ roll and blues.

Looking back, Leonard says that passion never pushed him into the music business. Practically speaking, “It was always easy for me to play music and I enjoyed writing songs,” he said.

According to Bellaire, Leonard will be inducted into the RIMHOF with The Schemers/Raindogs, Brenda Bennett, Nelson Eddy, George Masso, George Wein, Duke Belaire, Paco Zimmer, The Others and The Ascots (recognizing the great Rhode Island garage bands of the ‘60s along with Leonard), Bob Petteruti, Marty Ballou and Marty Richards (in the new “MVP sideman award” category).

“The Music Hall of Fame initiative,” says Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

This year, Bellaire said, there will be two induction ceremonies, and 11 more displays will be unveiled to celebrate inductees. Eventually, the museum will have more than 100 displays as well as memorabilia and interactive components.

The induction of jazz musicians will take place on April 20 at 7 p.m. at Bovi’s Tavern, 287 Taunton Ave., East Providence, before the weekly performance by the John Allmark Jazz Orchestra. George Masso, Bob Petteruti and Duke Belaire, the founder of the Bovi’s big band, will be honored.

On April 26, there will be an induction ceremony and concert at The MET and Hall of Fame within Hope Artiste Village, 999 Main St., Pawtucket. An afternoon event will include the unveiling of the inductee exhibits as well as performances by The Schemers, Raindogs, Brenda Bennett, The Ascots, TheOthers and an all-star jam session led by two of this year’s MVP sideman award winners — Ballou and Richards.

The 2 p.m. unveiling is free, but a ticket will be required for entrance to the 3 p.m. concert in the MET. Tickets are $20 in advance and $25 at the door and can be purchased atwww.RhodeIslandMusicHallofFame.com

Robert Billington, chair of the RIMHOF, said, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their successes.

“Our induction ceremony … has become the place for a ‘who’s who in Rhode Island music,” he said. “The Rhode Island Music Hall of Fame Induction ceremony and concert is the place to be and be seen at as we continue to showcase the history of Rhode Island’s musical heroes.”

Bellaire noted, “In past years, we’ve been delighted to induct many senior members of Rhode Island’s music community. For instance, last year The Mark II – Wayne Cogswell and Ray Peterson who are both in their 80s — were on hand to accept their awards and perform, and Rhode Island Philharmonic founder Francis Madeira at 97 came all the way down from Maine to accept his award during a philharmonic performance at The Vets.

“This year, we will be honored to have some of the most senior inductees with us,” he continued, “… all of whom are still active participants on the music scene, including drummer/band leader Duke Belaire (83), bassist/educator Bob Petteruti (85), trombonist/educator George Masso (88), and Newport Jazz and Folk festival founder George Wein (89).”

Herb Weiss is a Pawtucket-based writer. Contact him at hweissri@aol.com.

 

RI Music Hall of Fame is Poised to Honor the Best

Published in Pawtucket Times, April 18, 2014

Arthur “Pooch” Tavares, with nearly 60 years in the music business, continues to reach out to his old fans and to new generations as well. The 70-year-old Tavares is still performing about 75 concerts a year all over the world with three of the brothers (Perry “Tiny,” Antone “Chubby” and Feliciano “Butch”) who made up the original quintet which became know worldwide as simply Tavares. (Fifth brother Ralph retired from the road in the 1980s.)

The brothers grew up in the Fox Point and South Side neighborhoods of Providence and Tavares says, “The good lord has seen fit to keep us all together.” The most notable moment he remembers from his long career is when The Bee Gees gave his group “,” one of the key songs in the score to Saturday Night Fever, for which they won a 1977 Grammy Award. But running a close second is being inducted into the Rhode Island Music Hall of Fame.

“It’s quite an honor to be recognized for your music in the place where you were born,” states Tavares.

With just two weeks to go until the induction of this year’s class into the Rhode Island Music Hall of Fame (RIMHOF) on May 4, at The Met at the historic Hope Artiste Village, Vice Chair Rick Bellaire gives this columnist the details about those who are being recognized as Rhode Island’s best.

In announcing the RIMHOF Class of 2014, Bellaire says, “This initiative provides a great opportunity to acknowledge Rhode Island’s musical greats and celebrate their achievements and now we finally have an organization whose primary goal is to promote and preserve our state’s rich musical heritage. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Bellaire notes that it’s sometimes easy to forget, and even hard for some to believe, that such world-acclaimed artists actually have roots right here in Ocean State. “For the smallest state, Rhode island has produced an inordinately large number of truly great, successful and important artists and their devoted local fans helped to place them on the world stage. Tavares is a case in point.”

According to Bellaire, from their earliest days in the Fox Point neighborhood of Providence, it was clear the seven Tavares brothers were born to make music. They are recognized as pioneers in the evolution of R&B from the Soul era into the modern Funk and Disco movements of the ’70s and ’80s. They had over a dozen major hits and won a Grammy for “More Than A Woman,” their contribution to Saturday Night Fever. “But,” says Bellaire, “the best part of the Tavares story for me is not about how great they are or how successful they are. Everyone knows that. For me it’s about their journey. They worked really hard to get to the top. Their story will continue to inspire young musicians for decades to come.” Tavares will appear in concert on May 3 at Lupo’s Heartbreak Hotel.

Bellaire provides some background on the other new RIMHOF inductees:

The Castaleers are recognized as the state’s Rhythm & Blues trailblazers. They came together in the mid-1950s when members of various groups formed a permanent lineup consisting of Richard Jones (later replaced by Joe Hill), George Smith, Dell Padgett, Ron Henries and Benny Barros. In partnership with songwriters/producers Myron and Ray Muffs, they had four national releases and paved the way for the rest of Rhode Island’s R&B greats.

Paul Gonsalves of Pawtucket started out playing tenor sax in big bands including Count Basie’s. As a master of many styles, he became a pivotal figure in the evolution of post-war modern jazz. He joined Duke Ellington in 1950 and provided a crucial ingredient in the modernization of Duke’s sound. His place in the history books was guaranteed by his famous 27 chorus improvisation on “Diminuendo and Crescendo In Blue” at the 1956 Newport Jazz Festival.

Randy Hien of Woonsocket entered the music business in 1971 when he took on the job of reopening the old Loew’s State Theatre as The Palace in downtown Providence to present Rock ’n’ Roll concerts. When the Palace closed 1975, Randy purchased the original Living Room on Westminster Street by trading the keys to his Jaguar XKE for the keys to the club and the liquor license. He kickstarted Rhode Island’s original music scene by instituting a policy which welcomed bands who performed their own music. The club became the center of the state’s music scene and Randy its biggest supporter

Rhode Island Philharmonic Orchestra founder and conductor emeritus Francis Madeira initially came to Providence to teach music at Brown University in 1943. Finding no professional symphonic orchestra, he created one bringing together a 30-member ensemble that would bring the music of the European masters to the Ocean State. Maestro Madeira will be inducted into RIMHOF on May 10 during a performance by the Philharmonic at Veterans Memorial Auditorium in Providence.

Winston Cogswell of Warwick,was literally present at the birth of Rock ’n’ Roll after moving to Memphis, Tennessee in 1954. At Sun Records, as a guitarist, pianist, songwriter, arranger, producer and recording artist under the name “Wayne Powers,” he collaborated with some of the most important figures in music history including Johnny Cash, Jerry Lee Lewis and Roy Orbison. He returned to Warwick in 1960 and began working with pianist/composer Ray Peterson. The duo formed Wye Records with a third partner, engineer Ken Dutton, and their debut release as The Mark II, “Night Theme,” became a national hit. Wye remains the only Rhode Island label to score a Hot 100 hit.

By the end of the 1960s, Duke Robillard of Woonsocket had already earned a reputation as one of the finest blues guitarists in the state after stints with the short-lived original lineup of Roomful of Blues and Ken Lyon’s Tombstone Blues Band. In 1970, he reformed Roomful with a three-piece horn section to play jump blues and under his leadership, the band practically single-handedly revived the genre with two albums for Island Records. In the early 1980s, Duke began to pursue a solo career at Rounder Records. His jazzier side emerged with the release of “Swing” in 1987 to critical acclaim. “Duke recently told me he feels that, in music, blues is the universal language,” says Bellaire. “So I say, Duke Robillard is fluent in many languages!”

Freddie Scott of Providence moved to New York in 1956 and began his career as a songwriter for Don Kirshner working alongside to Carole King, Neil Sedaka and Paul Simon. His songs from this period were recorded by Ricky Nelson, Paul Anka, Tommy Hunt and Tommy Hunt. Freddie entered the charts as a singer himself in 1963 with “Hey Girl” written by his friends Carole King and Gerry Goffin. It hit Billboard’s Top 10 and is considered a classic today. In 1966, he scored a #1 R&B song with “Are You Lonely For Me.” His last album was “Brand New Man” in 2001.

In 1976, Cheryl Wheeler moved to Rhode Island to pursue a career in music on the Newport folk scene. She was quickly recognized as one of the finest songwriters and singers to surface in a decade or more. In 1986, her first album brought her national attention. Her song “Addicted” was taken all the way to #1 on Billboard’s Top 40 Country chart by superstar Dan Seals in 1988. Since then, she has released a series of albums of her comic and emotionally intense songs
which are considered singer-songwriter classics around the world. Says Bellaire, “Cheryl is a treasure. Her songs are perfect – every note and every word propels the story forward. She’s also a masterful performer. She can have you in tears one minute and rolling in the aisle the next. Every show is magical.”

RIMHOF Chair Bob Billington says, “This year’s honorees are amazing. Their histories in music are superior. Rhode Islanders should meet and greet them in person at our events. They will not be disappointed.”

Tickets for the Saturday, May 3 Tavares concert at Lupo’s and for the induction ceremonies and concert on Sunday, May 4 at The Met can be purchased at
http://www.rhodeislandmusichalloffame.com.

Herb Weiss, LRI ’12, is a Pawtucket writer who covers aging, health care and medical issues. He can be reached at hweissri@aol.com. He also serves on RIMHOF’s Board of Directors.

Rockers Hendrix and Joplin Honored with USPS Stamp

Published in Pawtucket Times, February 28, 2014

Miriam R. Plitt, like many of the baby boomer generation were  ecstatic with the announcing by the United States Postal Service (USPS) of its unveiling of a new line of commemorative stamps, including music culture icons. These stamps will be sold as forever stamps and are good for mailing first class letters at that price any time in the future even if stamps price increase, she says.

The long-time Oak Hill resident was elated that two of her 60s favorites, Jimi Hendrix, on of the most celebrated guitarists in the 20th century and legendary singer and songwriter Janis Joplin, who pushed their way into the public psyche at the Woodstock festival at Max Yasgur’s 600-acre dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel, New York, made the cut.

“Janis Joplin and Jimi Hendrix reaches my soul, they speak to me,” notes Plitt, who chairs Pawtucket’s Advisory Commission on Arts and Culture, who grew up loving Rock and Roll when this musical style became entrenched in her generation. “Any time I hear these musicians, I just go into my own world and dance,” she says.

“Joplin and Hendrix are not artists that came onto the nation’s musical scene and left,” she observed, but they have had an impact on preceding generations even setting high standards for other musicians who came after them.

Now in her mid-sixties, Plitt notes that this is a terrific honor for her generation, having musicians that her contemporaries listened to growing up to be placed on a first class postage stamp.

Pushing the Musical Boundaries with His Guitar

According to Mark Saunders, USPS spokesman, this month, the Jimi Hendrix stamp will be released on March 13 at the South By Southwest Concert in Austin, Texas and available nationwide that day.  It’s a natural venue for Jimi Hendrix fans to purchase the stamp, he says.

            According to the USPS’s bio on Hendrix (19421970), the musician was considered to be one of the most influential electric guitarists in the history of popular music, this being a key factor for the honor of being selected by the USPS.

            Combining influences from rock, modern jazz, soul, and the blues with his own innovations, the legendary Hendrix created a unique style that influenced musical guitarist of his era and continues to inspire musicians well into the 21st century.

            As shown at Woodstock, Hendrix pushed the boundaries of what his guitar could do, manipulating various devices to produce sounds that could be loud—the quintessential psychedelic music—or melodic and gentle. A master at the controlled use of distortion and feedback, he expanded the instrument’s vocabulary in a way that had never been heard before—or since.

While Hendrix is remembered as one of the most innovative guitar players of all time, he was also a gifted songwriter, combining visionary, sometimes haunting imagery with deft pop hooks.

            Rolling Stone ranked Hendrix #1 on its list of the 100 greatest guitarists of all time, and #6 on its list of the 100 greatest artists of all time. His band, the Jimi Hendrix Experience, was inducted into the Rock and Roll Hall of Fame in 1992 and the U.K. Music Hall of Fame in 2005. The band’s first album, Are You Experienced, is considered by many critics to be one of the best rock albums of all time, and in 2005, the Library of Congress selected it for permanent preservation in the National Recording Registry, a list of sound recordings that “are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States.”

In 1993, Hendrix was awarded a posthumous Grammy for lifetime achievement.

Through Hendrix’s mastery of the guitar and use of controlled feedback as a melodic element, he revolutionized and redefined popular music. His music sounds as innovative and fresh today as when it was first released, winning legions of new fans who just might by commemorative stamps with his image.

Bluesy Voice Propelled Her to the Top

Joplin (1943-1970), an icon of the 1960s whose bluesy voice propelled her to the pinnacle of rock stardom, gets her image on a stamp, too. Her stamp will be issued later in 2014.

When announcing the issuance of the Joplin stamp, the USPS detailed her musical track record, too.  Joplin broke onto the national music scene with an explosive performance at the Monterey Pop Festival in 1967. Known for her rebellious public persona, Joplin roared and wailed her way through uninhibited, soulful performances.

Her time at the top, however, was very brief. She recorded only two hit albums and performed at the Woodstock concert, but in October 1970, just three years after she became a star, she died at the age of 27 of a drug overdose. The album she was recording at the time of her death, Pearl, went on to cement her reputation as one of the premier white blues singers of all time. “Me and Bobby McGee,” written by Kris Kristofferson, became a number one hit.

As the years passed, Joplin’s legacy was increasingly recognized by critics. She was inducted into the Cleveland, Ohio-based Rock and Roll Hall of Fame in 1995 and received a Grammy Lifetime Achievement Award in 2005. Rolling Stone included Joplin on its list of 100 Greatest Artists. Some of her most popular songs include “Piece of My Heart,” “Ball and Chain,” and “Cry Baby.”

Washington Posts Reporter Lisa Rein reported in a February 21 article that while stamp designs for both Hendrix and Joplin were scheduled for 2014, other pop and music icons were selected for 2015 and beyond. Specifically, Rein’s commemorative stamp listing also included Beatle John Lennon, NBA Basket Ball player Wilt Chamberlain, celebrity chiefs, recording artist and musician James Brown, late night talk show host, Johnny Carson.  She noted that the USPS even was considering the reissuing of Elvis Presley stamp.

However, USPS Spokesperson Saunders, stated that while Hendrix and Joplin are confirmed for release this year, the others cited by Rein are only being considered at this time, subject to change and most certainly not finalized.  “We may or may not move forward with these stamps,” he says.

            Yes, there is controversy even in the world of stamps.  When hearing that Beatle John Lennon might be honored by having his image on a stamp, collectors voiced their opposition and concerns.  Traditionally, only Americans subjects have been selected, they say.  But, Saunders explains that the USPS has the discretion to select subjects that have made a significant impact to American society and culture, citing examples of Mother Teresa and Winston Churchill. This opens the door to John Lennon’s consideration, he says.

            Bringing more relevant stamps reflecting popular pop culture icons to market is a way to attract younger buyers and increase USPS revenues, notes Saunders.  “With 300 million customers across the nation, our diverse stamp program has something to offer everybody,” he adds.

Saunders notes that “We receive over 40,000 suggestions of subjects on stamps each year.” Many people suggest the inclusion of Rock stars on stamps.  Most certainly, “Joplin and Hendrix will appeal to fans of Rock music from the 60s and 70s,” he says.

            Will Joplin and Hendrix’s commemorative stamps be a big hit with the American public?  It’s a mixed bag says, Ken Martin, Executive Director of the American Philatelic Society,” a nonprofit group representing 34,000 stamp collectors, educators and postal historians in 110 countries.  “Some collectors feel that people commemorated on stamps should be without flaws,” he says, noting that some might just not agree with Hendrix or Joplin’s music style or the way they lived.  However, others might just love them.

            But Martin concedes that “a little bit of controversy adds to promotion of the released stamp and may well increases sales.”  He recognizes that the USPS is broadening the scope of the diverse stamp program to reach out to a broader section of the population.

            Countering the concerns of collectors who may well frown upon the USPS issuing stamps of people with nontraditional or controversial lifestyles, like Hendrix and Joplin, Rick Bellaire, Vice Chair of the Rhode Island Music Hall of Fame, has another take on it.

            Bellaire says that the sudden deaths of Hendrix and Joplin, especially coming as they did [from drug overdoses], one after the other in the Fall of 1970, “were a great blow to the music world.” These musicians were “such giants that there could never be anyone to replace them nor carry on their work,” he says, noting that their “highly original styles promoted deep Rhythm & Blues to the young, white masses in the guise of psychedelic Rock ’n’ Roll while always making sure the audience knew the source material.”

            “I am proud of the U.S. Postal Service for honoring these two masters, judging them not by their personal lives and lifestyles, but by their groundbreaking work as musicians and their generosity of spirit,” says Bellaire.

            For more information on submitting to the USPS your suggestion for a stamp design, go to http://about.usps.com/who-we-are/leadership/stamp-advisory-committee.htm.