Abate Joins Exclusive Class of Musicians

Published in Woonsocket Call on February 28, 2016

Sometimes a simple happenstance can propel a person into life’s mission. This happened to nine-year-old Greg Abate, when his mother, Elvira, rented a clarinet from a traveling salesman who just by chance came by their Woonsocket home. A rented instrument led to the youngster joining his school band, where he began playing clarinet and alto sax.

Abate has come a long from his first music recital to his elementary school classmates. More than 27 years of playing in Jazz Festivals, Jazz Societies and Jazz Clubs, even being tutored by some of the greatest jazz players, has pushed him to the top of his craft.

Now, in recognition of Abate’s long musical career and being a driving force in the world of jazz, in April the Rhode Islander will be among the eight new inductees who are brought into the Rhode Island Music Hall of Fame (RIMHOF). His fellow inductees include: Frankie Carle, Bill Harley, Carl Henry, Carol Sloane, Sugar Ray & The Bluetones, Richard Walton and The Fabulous Motels/The Young Adults/Rudy Cheeks.

According to Rick Bellaire, Rhode Island Music Hall of Fame (RIMHOF)’s Vice Chair and Archive director, “Greg Abate is one of our state’s most popular and successful musicians. He has been well-known in southern New England for forty years and has been a star on the international stage for the past thirty. At the beginning, the board wanted to establish credibility by adhering to chronology and inducting historical figures first in many categories. With the inductions of Bobby Hackett, Dave McKenna, Paul Gonsalves, George Wein and George Masso, this year’s jazz inductions of Frankie Carle, Carol Sloane and Greg establish an unbroken line which not only stretches all the way from the 1930s to the present, but clearly illustrates Rhode Island’s truly important place in jazz history.”

Bellaire adds, “Greg is universally recognized as one of the finest players performing and recording today. His massive body of work and international touring history clearly place him on the list of all-time greats. Here’s a good example. Greg’s new album, Kindred Spirits, recorded with legendary alto saxophonist Phil Woods, has just been released. Although the late Mr. Woods had been recording since the 1940s, Greg has clearly leveled the playing field. In a review of the album for the All About Jazz website, Edward Blanco declared, “…both masters are at their best.”

Before he died last September, Phil Wood, considered one of the best alto saxophone players, said, “I sleep a lot better knowing that there are alto players like Greg. It was a joy to make music with him and he writes good songs that are challenging.”

Playing With the Greatest

Upon finishing a four-year program at Berklee College of Music, Abate joined the Los Angeles jazz scene, playing with David Clark Expedition and other local rhythm and blues groups. An audition led to his first high-profile gig, playing lead alto for the Ray Charles Orchestra from 1973 to 1974. He would record his first record with this group.

Abate came back to the Ocean State in 1976 to launch his career, forming the fusion band Channel One, ultimately releasing his first album, Without Boundaries, in 1981. Playing throughout Connecticut to New York for seven years brought attention to this group and made it a favorite of many New Englanders.

At that time, “I wrote lots of music and did a lot of hard, serious playing,” he remembers. The young musician took an opportunity to play tenor sax with the revived Artie Shaw Orchestra under the leadership of Dick Johnson from 1986 to ’87. For the next two years he would play with the Providence-based Duke Belaire Jazz Orchestra, honing his musical skills. “I received some of my greatest musical education from some of the greatest players from this band,” he says.

Working and learning from the greatest, Abate would begin a solo career showcasing his unique style bring him worldwide notice.

Today, Abate, a sixty-six year old Coventry resident, is internationally acclaimed for his mastery of jazz. He says, “Music found me, I did not find it.” Over his musical career, the jazz saxophonist, flutist, composer and educator, has released 18 recordings.

Last year, Abate traveled over 200 days playing in Jazz Festivals, Jazz Societies and Jazz Clubs. He has performed in 30 countries, playing in every state in the national, except Montana, Alaska and Oregon.

Looking back at his career, Abate says, “The tradition of jazz is very important to me and I take it very seriously. Jazz is just in my blood.”

RIMHOF’s Fifth Class of Inductees

Robert Billington, Chair of the RIMHOF noted, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their success.”

“The Music Hall of Fame initiative,” says Rick Bellaire, vice chair of RIMHOF, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our planned online digital archive, we will have in place the tools to curate and showcase the best of Rhode Island’s musical artists.”

This year’s induction ceremonies and concert events will take place on three days, April 21, April 24, and April 30, and will take place at three separate locations.

The jazz inductions will take place on Thursday, April 21, 7:00 p.m. at Chan’s, 267 Main St., Woonsocket. Being honored on April 21 will be Frankie Carle, Greg Abate and Carol Sloane. Supporting Abate and Sloane in their musical selections will be Tim Ray on piano, bass player Marty Ballow and Marty RIchards on drums. Tickets for the April 21 event at Chan’s are $15.00.

The 2016 RIMOF Induction Ceremony and Concert is set for Sunday, April 24, 2:00 p.m. at The Met and Hall of Fame itself, both located within the Hope Artiste Village Complex, 999 Main St., Pawtucket RI. Sunday’s afternoon event will include the unveiling of eight new exhibits (now totaling 48 exhibits) as well as performances by The Young Adults, Sugar Ray & the Bluetones and Bill Harley performing a set of his adult music. This concert will be proceeded by the unveiling of all eight 2016 inductee exhibits. Tickets for the April 24 event at The Met are $20.00 in advance and $25.00 at the door. The 2 p.m. unveiling of the inductee exhibits are free and open to the public; a ticket will be required for entrance to the 3:00 p.m. concert in the Met.

On Saturday, April 30, 2:00 p.m., Bill Harley will be presenting a family show featuring selections from his award-winning children’s recordings at the Blackstone River Theatre, 549 Broad St., Cumberland. Tickets for the April 30 event are $6.00 for children and $12.00 for adults with a family cap of $ 36.00.

Tickets for the three separate events can be purchased by visiting:
http://www.rhodeislandmusichalloffame.com.

RI Music Hall of Fame is Poised to Honor the Best

Published in Pawtucket Times, April 18, 2014

Arthur “Pooch” Tavares, with nearly 60 years in the music business, continues to reach out to his old fans and to new generations as well. The 70-year-old Tavares is still performing about 75 concerts a year all over the world with three of the brothers (Perry “Tiny,” Antone “Chubby” and Feliciano “Butch”) who made up the original quintet which became know worldwide as simply Tavares. (Fifth brother Ralph retired from the road in the 1980s.)

The brothers grew up in the Fox Point and South Side neighborhoods of Providence and Tavares says, “The good lord has seen fit to keep us all together.” The most notable moment he remembers from his long career is when The Bee Gees gave his group “,” one of the key songs in the score to Saturday Night Fever, for which they won a 1977 Grammy Award. But running a close second is being inducted into the Rhode Island Music Hall of Fame.

“It’s quite an honor to be recognized for your music in the place where you were born,” states Tavares.

With just two weeks to go until the induction of this year’s class into the Rhode Island Music Hall of Fame (RIMHOF) on May 4, at The Met at the historic Hope Artiste Village, Vice Chair Rick Bellaire gives this columnist the details about those who are being recognized as Rhode Island’s best.

In announcing the RIMHOF Class of 2014, Bellaire says, “This initiative provides a great opportunity to acknowledge Rhode Island’s musical greats and celebrate their achievements and now we finally have an organization whose primary goal is to promote and preserve our state’s rich musical heritage. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Bellaire notes that it’s sometimes easy to forget, and even hard for some to believe, that such world-acclaimed artists actually have roots right here in Ocean State. “For the smallest state, Rhode island has produced an inordinately large number of truly great, successful and important artists and their devoted local fans helped to place them on the world stage. Tavares is a case in point.”

According to Bellaire, from their earliest days in the Fox Point neighborhood of Providence, it was clear the seven Tavares brothers were born to make music. They are recognized as pioneers in the evolution of R&B from the Soul era into the modern Funk and Disco movements of the ’70s and ’80s. They had over a dozen major hits and won a Grammy for “More Than A Woman,” their contribution to Saturday Night Fever. “But,” says Bellaire, “the best part of the Tavares story for me is not about how great they are or how successful they are. Everyone knows that. For me it’s about their journey. They worked really hard to get to the top. Their story will continue to inspire young musicians for decades to come.” Tavares will appear in concert on May 3 at Lupo’s Heartbreak Hotel.

Bellaire provides some background on the other new RIMHOF inductees:

The Castaleers are recognized as the state’s Rhythm & Blues trailblazers. They came together in the mid-1950s when members of various groups formed a permanent lineup consisting of Richard Jones (later replaced by Joe Hill), George Smith, Dell Padgett, Ron Henries and Benny Barros. In partnership with songwriters/producers Myron and Ray Muffs, they had four national releases and paved the way for the rest of Rhode Island’s R&B greats.

Paul Gonsalves of Pawtucket started out playing tenor sax in big bands including Count Basie’s. As a master of many styles, he became a pivotal figure in the evolution of post-war modern jazz. He joined Duke Ellington in 1950 and provided a crucial ingredient in the modernization of Duke’s sound. His place in the history books was guaranteed by his famous 27 chorus improvisation on “Diminuendo and Crescendo In Blue” at the 1956 Newport Jazz Festival.

Randy Hien of Woonsocket entered the music business in 1971 when he took on the job of reopening the old Loew’s State Theatre as The Palace in downtown Providence to present Rock ’n’ Roll concerts. When the Palace closed 1975, Randy purchased the original Living Room on Westminster Street by trading the keys to his Jaguar XKE for the keys to the club and the liquor license. He kickstarted Rhode Island’s original music scene by instituting a policy which welcomed bands who performed their own music. The club became the center of the state’s music scene and Randy its biggest supporter

Rhode Island Philharmonic Orchestra founder and conductor emeritus Francis Madeira initially came to Providence to teach music at Brown University in 1943. Finding no professional symphonic orchestra, he created one bringing together a 30-member ensemble that would bring the music of the European masters to the Ocean State. Maestro Madeira will be inducted into RIMHOF on May 10 during a performance by the Philharmonic at Veterans Memorial Auditorium in Providence.

Winston Cogswell of Warwick,was literally present at the birth of Rock ’n’ Roll after moving to Memphis, Tennessee in 1954. At Sun Records, as a guitarist, pianist, songwriter, arranger, producer and recording artist under the name “Wayne Powers,” he collaborated with some of the most important figures in music history including Johnny Cash, Jerry Lee Lewis and Roy Orbison. He returned to Warwick in 1960 and began working with pianist/composer Ray Peterson. The duo formed Wye Records with a third partner, engineer Ken Dutton, and their debut release as The Mark II, “Night Theme,” became a national hit. Wye remains the only Rhode Island label to score a Hot 100 hit.

By the end of the 1960s, Duke Robillard of Woonsocket had already earned a reputation as one of the finest blues guitarists in the state after stints with the short-lived original lineup of Roomful of Blues and Ken Lyon’s Tombstone Blues Band. In 1970, he reformed Roomful with a three-piece horn section to play jump blues and under his leadership, the band practically single-handedly revived the genre with two albums for Island Records. In the early 1980s, Duke began to pursue a solo career at Rounder Records. His jazzier side emerged with the release of “Swing” in 1987 to critical acclaim. “Duke recently told me he feels that, in music, blues is the universal language,” says Bellaire. “So I say, Duke Robillard is fluent in many languages!”

Freddie Scott of Providence moved to New York in 1956 and began his career as a songwriter for Don Kirshner working alongside to Carole King, Neil Sedaka and Paul Simon. His songs from this period were recorded by Ricky Nelson, Paul Anka, Tommy Hunt and Tommy Hunt. Freddie entered the charts as a singer himself in 1963 with “Hey Girl” written by his friends Carole King and Gerry Goffin. It hit Billboard’s Top 10 and is considered a classic today. In 1966, he scored a #1 R&B song with “Are You Lonely For Me.” His last album was “Brand New Man” in 2001.

In 1976, Cheryl Wheeler moved to Rhode Island to pursue a career in music on the Newport folk scene. She was quickly recognized as one of the finest songwriters and singers to surface in a decade or more. In 1986, her first album brought her national attention. Her song “Addicted” was taken all the way to #1 on Billboard’s Top 40 Country chart by superstar Dan Seals in 1988. Since then, she has released a series of albums of her comic and emotionally intense songs
which are considered singer-songwriter classics around the world. Says Bellaire, “Cheryl is a treasure. Her songs are perfect – every note and every word propels the story forward. She’s also a masterful performer. She can have you in tears one minute and rolling in the aisle the next. Every show is magical.”

RIMHOF Chair Bob Billington says, “This year’s honorees are amazing. Their histories in music are superior. Rhode Islanders should meet and greet them in person at our events. They will not be disappointed.”

Tickets for the Saturday, May 3 Tavares concert at Lupo’s and for the induction ceremonies and concert on Sunday, May 4 at The Met can be purchased at
http://www.rhodeislandmusichalloffame.com.

Herb Weiss, LRI ’12, is a Pawtucket writer who covers aging, health care and medical issues. He can be reached at hweissri@aol.com. He also serves on RIMHOF’s Board of Directors.