Rhode Island PBS at Its Best:

Published in Pawtucket Times, March 1, 2013

            Television viewers can expect to experience magical music moments when the past, present, and future converge, on Monday, March 4, 2013, starting at 7:30 p.m., when WSBE Rhode Island PBS kicks off a jam packed evening that showcases legendary and local stars orbiting the rock, rhythm & blues music scene. The night also officially announces the debut of a Pawtucket produced music series, “Meet Me at THE MET.”

A Gathering of Live Local Bands

            According to Lucie Raposo, public information manager at WSBE Rhode Island PBS, local musicians, performing live right in their studio that evening during program breaks, will most certainly bring amazing energy and edge to Rhode Island’s public television’s fundraising effort. During the four hours of evening programs, viewers can sit back and listen to their favorite local bands from around the Ocean State and southern Massachusetts: Kevin Williams and The Invisible Orphans; Providence’s The Jess Lewis Band; award-winning singer/songwriter Mark Cutler of Providence; alternative folk artist Allysen Callery of Bristol; and 10-year old guitar prodigy Nolan Leite of Pawtucket.

            Raposo notes that this evening opens with Albert King with Stevie Ray VaughnIn Session. In 1983, when legendary blues guitarist Albert King, age 60, was joined by his disciple Stevie Ray Vaughan, age 29, on a Canadian soundstage for the live music TV series “In Session,” magic took place. Albert King with Stevie Ray Vaughan – In Session is not simply a television program: it’s a summit of two master musicians. The only known recording of King and Vaughan performing together, this is the concert that blues fans in general, and Stevie Ray Vaughan fans in particular, have waited years for, she says.

The Legendary Rolling Stones

            Adds Raposo, then at 9 p.m., it’s musical mayhem in The Rolling Stones Rock and Roll Circus. The concert extravaganza marked the last performance of the original line-up of “The World’s Greatest Rock and Roll Band”: Mick Jagger, Keith Richards, Brian Jones, Bill Wyman, and Charlie Watts. The Rolling Stones are joined by an all-star musical cast: Jethro Tull, The Who, Marianne Faithfull, Taj Mahal, Yoko Ono, and the ad-hoc, one-time only supergroup “The Dirty Mac” featuring John Lennon (guitar/vocals), Keith Richards (bass), Eric Clapton (guitar), fresh from his break-up with Cream, and Mitch Mitchell (drums) of The Jimi Hendrix Experience.

           The program was originally planned and staged by the Rolling Stones in December 1968 as a BBC TV special to promote the newly released Beggars Banquet, however, it never aired. Finally, in 1989, it was discovered in a trash bin at The Who’s vault in London. It has been restored to preserve this historic once-on-a-kind event and was first broadcast in 2007. The public television broadcast includes a 2004 interview with The Who’s Pete Townshend about the historical gathering.

Introducing…“Meet Me at THE MET”

            At Rhode Island PBS’s fundraiser, Bruce McCrae (a.k.a. Rudy Cheeks) and Nate Flynn will introduce their new musical performance series, “Meet Me at THE MET,” which will air on WSBE Rhode Island PBS.  Board Members of the Rhode Island Music Hall of Fame will staff the phones during the Monday fundraiser.

            Opening up a music venue at Pawtucket’s Hope ArtisteVillage in 2010, owner Rich Lupo saw an opportunity to bring the old Met Café  back, once located underneath I-195 in the CapitolCity’s Jewelry District, before it fell to the wreaking ball. Luckily, the spirit of the music venue lived on. Lupo brought it back to life downtown in the ‘90s and early 2000s with a new incarnation appended to the middle era Lupo’s Heartbreak Hotel.

            Flynn remembers the original Met Café  – “not much bigger than a McMansion’s living room – was a hangout where the beer was almost cold and the music was always hot.” According to Flynn, if you didn’t know where it was, you could follow any one of the cars downtown whose bumpers sported a sticker imploring one to “Meet Me at The Met.”  It was a great music scene and, soon after opening, national acts with Rhode Island pedigrees like Roomful of Blues and the Fabulous Thunderbirds became regulars, he said.

            This latest re-incarnation of THE MET, in a 650,000 square-foot historic mill in Pawtucket, has prompted the production of a new Rhode Island PBS program, “Meet Me at THE MET,” to be filmed there, says Cheeks. With the airing of each of their hour-long  programs, Cheeks and Flynn hope to bring back what made the original Met café, Lupo’s or the Living Room so special to many Rhode Islanders: an intimate-sized performance space that would nurture local musicals and expose audiences to emerging superstars.

            The new WSBE Rhode Island PBS program is the brainchild of Pawtucket-born Cheeks and Flynn, a native of North Smithfield.  Cheeks, inducted into the Pawtucket Hall of Fame in 2007, needs no introduction as a member of legendary local bands the “Fabulous Motels,” “Young Adults,” and Jackiebeat Orchestra. His 40-year career also spanned occasional acting in films and serving as narrator in documentaries that appeared on national PBS, and teaching at local Universities. Over the years, he hosted radio talk shows on WALE, WPRO and WHJJ.  His cable television show, the Club Genius, won a Rhode Island State Film award.

            Cheeks is a highly regarded columnist, writing for alternative press in the Ocean State since 1979 for the Providence Eagle, The NewPaper and now the Providence Phoenix, writing the Phillipe & Jorge’s Cool Cool World with long-time side kick Chip Young for 33 years.  He even created a nightclub act called Comediac’s Bad Film Festival where the worst movies ever made were screened (appearing 4 or 5 years) before the nationally syndicated Mystery Theater.  In 1997, he the former Pawtucket resident served as Grand Marshal of Pawtucket’s St. Patrick’s Day Parade.

            Flynn is an internationally award-winning communications professional. While a student at BrownUniversity, he studied electronic music composition at the McColl Studio of Electronic Music. During his time on College Hill, he was a key member of the Brown Student Concert Agency, Billboard Magazine’s then top-rated college concert agency and stage crew, working stage crew for internationally-recognized bands, including Bob Marley, Blondie, U2, Dire Straits, the Kinks, Emmylou Harris, The Ramones, Dave Brubeck, Carley Simon, Pat Metheny, Bonnie Raitt, and Little Feat, among many others.

A Chance Encounter

            By chance, in 2011, Cheeks and Flynn became part of a group of individuals who banded together to found the Rhode Island Music Hall of Fame.  Having known each other for years, their work on the Hall triggered the idea for them to produce a live music show for WSBE Rhode Island PBS.  Based out of Pawtucket’s THE MET, the program will document the great Rhode Island music scene of the last 35 years.  Like the club itself – this is the third MET – the Providence music scene has now moved to Pawtucket, just a stone’s throw from the Providence line. From the ‘70s bands like Roomful of Blues, the Young Adults, Rizz, Beaver Brown, and Wild Turkey, to ‘80s new wave outfits such as the Schemers, Rubber Rodeo, and the Mundanes, up to today’s nationally-recognized Americana groups like Deer Tick, Brown Bird, Joe Fletcher and the Low Anthem, the Providence and now the Pawtucket music scene becomes vibrant.  

            Flynn notes that advances in video technology have made it possible to take advantage of THE MET’s great sight-lines and line-ups  to capture live music in a powerful new way, getting closer to the music than ever before.  “Meet Me at THE MET” is the perfect vehicle to record Rhode Island’s finest groups and music where it’s at its best, in a club setting where musicians are no more than 40 or 50 feet from the audience, he says, noting that many of the older bands they hope to reunite on the show were never properly recorded in their heyday.  “Just as important as the venue, is the support of THE MET’s owners, Rich and Sarah Lupo, and the crew that works there. 

            All this comes together to create a very special opportunity to showcase some great music,” says Flynn, who recognized the efforts of Dave Marseglia, David W. Piccerelli and Jodi Mesolella, of WSBE Rhode Island PBS, for making the new musical programming happen.  

            Cheeks will host the show, do interviews, and provide context for the musical performances, relying on his decades of experience as a great musician, columnist, and bon vivant. Flynn will handle video production, edit the videos, and mix the audio. They’ve teamed up with IMAJ Associates, a Rhode Island-based, award-winning design firm, to help with the look of the show, and they have lined up an audio company to record the multi-track during the performances (that is to tape each performer’s instruments and microphones individually to get a proper mix of sound.)

            For more information about “Meet Me at THE MET “or to learn more about sponsorship opportunities, contact Rudy Cheeks at  rudycheeks@live.com.  Or call (401) 580-2265.

            Watch WSBE Rhode Island PBS over the air on digital 36.1, on Cox Cable 08 / 1008HD, Verizon FiOS 08 / 508HD, Comcast 819HD, DirecTV 36, and Dish 7776.  Be very generous in supporting WSBE Rhode Island PBS to keep quality local programming on Rhode Island’s only public television station.

            Herb Weiss, LRI ’12 is a freelance writer who covers health care, aging and medical issues.  He can be reached at hweissri@aol.com.

 

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Art Can Jump Start the State’s Sagging Economy

Published in the Pawtucket Times, February 22, 2013

Rhode Island may be known as the nation’s littlest State. But if Governor Lincoln D. Chafee, Senate President Teresa Paiva Weed, and House Speaker Gordon D. Fox have their way, the Ocean State may be called the “State of the Arts.”

Even with the occurrence of a massive blizzard just two days before the February 11th Art Charrette, 110 art supporters (including 10 Senators), from government, the business community, academia and the nonprofit sector, did not let huge snow piles in some spots up to two feet high keep them off the streets. They traveled to Fidelity Investments headquarters in Smithfield to tell top State elected officials how art and creativity can rev up Rhode Island’s sputtering economic engine.

Fidelity Investment’s 500-acre campus off Route 7 features three buildings, including a 577,000-square-foot office building. It was the perfect place to talk seriously about art. Carol Warner, who has served as Fidelity’s Art Curator for more than 30 years, says her company has purchased over 1,200 pieces of art from 433 Rhode Island artists. The collection is showcased throughout the campus and is installed on the surrounding grounds. Warner enthused that the art “both enhances the work space and invigorates its employees,” in her comments to the gathered legislative and arts and cultural leadership attendees.

During her opening remarks Warner noted that Fidelity Investments supports local artists in Rhode Island and wherever they have a presence at nine regional campuses and 180 investment centers throughout the nation.

The Political Stars Align for Arts

Chafee, whose demonstration program put murals on four visible highway retaining walls and abutments along Interstate 95, noted that staggering statistics “underscore the plain fact that the arts are clearly one of Rhode Island’s premier [economic] assets.” He cited a New England Foundation for the Arts study, published last fall that found that 2009 direct and indirect spending by the non-profit arts sector totaled $673 million and supported nearly 8,000 jobs.

According to the Governor, just last year, a Washington, D.C.-based Americans for the Arts study found over 12,000 Rhode Island jobs were created in both the State’s private and nonprofit art sectors. The economic impact in Providence alone was greater than that of Delaware, Hawaii, South Dakota and New Hampshire…states with larger populations, he said.

“The arts and culture are also deeply intertwined with our state’s appeal as a tourism destination. They make Rhode Island a place where people want to spend time and – quite frankly – spend money,” added Chafee, whose proposed 2014 budget provides additional funding for the State’s Tourism Division.

“Rhode Island’s creative sector encompasses over 3,248 arts-related businesses and jobs that employ more than 13,000 individuals,” stated Paiva Weed, who spear headed the efforts to organize this idea gathering session. “Despite the lingering effects of the recession on most sectors of the economy, the creative sector in Rhode Island added 770 jobs and enjoyed a 16 percent growth between 2011 and 2012.”

Fox acknowledged the fact that Rhode Island needs to play to its strength in the arts, an observation that he garnered from a speaker at a recently held economic development workshop at Rhode Island College.

Don’t expect the final report generated from the Art Charrette to sit on a State bureaucrat’s dusty shelf. Fox, whose chamber initially hammers out the State’s budget, asserted that he will work closely with the Senate and Governor to review the final suggestions to ensure that arts are a key component of Rhode Island’s state’s economic turnaround.

For Executive Director Randy Rosenbaum, who has led the State’s Council for the Arts for 18 years, the gathering was a “pinch me” moment. For years his mantra has been “the arts are important for the economic vitality of Rhode Island.” With Chafee’s opening affirmation that Paiva Weed and Fox are “unified” in their belief that the arts are key to economic growth in Rhode Island, the State’s Arts Czar saw all the planets in alignment for bringing his “arts and economic vitality” mantra closer to a political reality.

RISD President John Maeda came bringing his greetings, too. Maeda, a designer, computer scientist, academic and author, took the opportunity to announce the February 14th, launching of STEM to STEAM, a new RISD-led initiative to add Art and Design to the national agenda of STEM (Science, Technology, Engineering, Math). Co-chaired by Rep. Suzanne Bonamici (D-OR) and Rep. Aaron Schock (R-IL), the bipartisan caucus focuses on furthering the incorporation of art and design into STEM education for American students. The new Congressional Caucus also includes Rep. David Cicilline (D-RI) and Jim Langevin (D-RI).

Neil Steinberg, President of Rhode Island Foundation, views arts as a “twofer” with the jobs that the sector creates and the quality of life for the people who come here and for those who stay. He notes that his group, one of the oldest and largest community foundations in the nation and the only community foundation serving the Ocean State, is committed to building the arts sector,

Break Out Session Generates Ideas

With the larger group split into three discussion groups, more than 85 suggestions were compiled by the Art Charrette organizers.

One suggestion was to create a branding campaign to establish an art identity for Rhode Island. It was recommended that state policy makers make the most of the State’s small size and high density of artists and art groups. Visual branding of arts districts along with art trails with eating establishments would promote incredible art work and great restaurants.

It was noted that the State is already known as a design State. Given the presence of RISD and other education institutions, Rhode Island is in a position to become a leader in the nation’s design community. The State might easily become a workshop for the arts and industry.

Strategically use the State’s marketing budget for arts branding and to promote the tax free purchase of one-of-a-kind art in the certified Arts Districts throughout the Ocean State.

It was suggested that all municipalities incorporate the arts in their Economic Development Comprehensive Plan. All Cities and Towns should have an arts advocate who specifically serves as the person responsible for economic development activities.

Use the State’s taxing and bonding authority to advance the arts in Rhode Island. Rhode Island has nine legislatively created arts districts. Expand this tax policy to every city and town.

Also, better data must be collected. One recommendation called for the compiling of the true economic impact that includes not just data from restaurants, but from hotels, parking, art and entertainment activities, too.

Next Steps…

For this columnist: For more than 14 years I have seen the arts revitalize Pawtucket’s stagnant economy, bringing new life to its mills and tax dollars into the City’s coffers. Yes, redeveloped mills increase property values that bring in more property tax dollars to run a cash strapped city.

It is clear from last week’s Arts Charrette, the state’s political leadership now see the arts as a key sector in bringing dollars to the State’s coffers by attracting more tourists and convention business. Leadership must now sift through the dozens of suggestions and craft a comprehensive arts policy to be funded in Rhode Island’s 2014 Budget. If lawmakers walk their talk, Rhode Island truly will become the nation’s Art State, where artists make a living with their creative talents and Rhode Island becomes the newly emerging renaissance State.

For a detailing of Art Charrette suggestions, go to http://www.youtube.com/watch?v=XMx45FXkVEs&list=UUMCPC8hUqIQQeq107tm5VAQ

Herb Weiss, LRI ’12, is a freelance writer who covers aging, health care and medical issues. He promotes the arts by serving as Pawtucket’s Economic & Cultural Affairs Officer.

Retooling America’s Manufacturing Sector

Published in Pawtucket Times, February 15, 2013

Over 50 years ago, you could hear the humming of the machines coming from Rhode Island’s factories.  The piercing sound of factory whistles would rip through the surrounding neighborhood, alerting all that a shift was ending and the next would soon begin.  

Weaving cotton into textiles came from mills scattered throughout northern Rhode Island which translated into work opportunities for all.  Traveling from the City of Providence, the CapitalCity to the City of Pawtucket, the birthplace of the nation’s Industrial Revolution, through Central Falls and up through the City of Woonsocket, you will discover that once we were the hub for the manufacturing of fabric for the nation’s second world war effort. For those factories filling three shifts, meant thousands of workers working in these mills, giving them a place to earn an honorable living. Blue collar workers fueled the nation’s economy as they bought homes, automobiles, as well as providing the  resources to send their children to colleges and universities. “Made in America” was a lifestyle and we were proud of it. 

Today, there is silence in many of these mills and for many of them, a new identity as these same factories have been transformed into artist lofts and studios or renovated for condo living.    For those factories still in operation, many of these manufacturers have decreased the number of shifts, thus reducing their workforce and ultimately impacting many of the local small businesses, leading to closures because of lack of customers.  Simply put, it’s the domino affect and the last piece might fall without Congressional action.   

Manufacturing Goes Over Seas

Over this decade, America’s manufacturing sector has crumbled giving way to China and third world countries to pick up the ball.  Drastically lower wages enable Chinese manufacturers to make cheaper goods sold to consumers for less then it would cost for the items to be made by an American-based manufacturing company. Along with lower wages, Chinese manufacturers face less environmental and safety regulations, taxes and have subsidized operational costs.  Imbalanced trade agreements are not favorable to American manufacturers who are losing the “economic race”, thus resulting in a loss of profits and employee lay offs.  Many of the nation’s manufacturers are being forced out of business, permanently closing their doors in cities and towns throughout this nation.       

A shopping trip always leaves me very unsettled about the flood of cheap imported productions into our nation.  Lower price tags on goods made outside of this country are enticing, but how often is quality been sacrificed for price?  We’ve  become a country of ‘mediocraty’ where its “good enough”.  Imported products ultimately impacts America’s children, who are now less likely to experience the prosperity that their parents once achieved because of the country’s manufacturing economy, which has now begun to falter and tilt to a service economy.     

Shelves of big box stores are packed with electronics and appliances, with most of these items stamped “Made in China.” Your local department store filled with discount bins and clothing racks are certainly not immune from this labeling.  The next time you are shopping, examine the country of origin for that product you are holding.  You guessed it, clothing, dishes, pots and pans, picture frames, all made from Chinese manufacturing companies. 

 Manufacturing Plants Sitting Idle

 As America’s manufacturing sector is decimated by the Chinese along with our communities losing higher paying manufacturing jobs, only lower paying service sector jobs will become available to low and middle income Americans. US Bureau of Labor Statistics 2011 Quarterly Census of Employment and Wages show that the average Rhode Island manufacturing job pays $50,823 annually and that there are currently 40,341 employees directly related to manufacturing. Six years ago, over 52,000 Rhode Islanders worked in the manufacturing sector.

Currently, cities and towns now see manufacturing plants sitting idle and empty or underutilized, often times reducing their tax base. This continued trend will not allow for a balanced economy.  Rhode Island can ill afford to lose its existing manufacturing base, ultimately thousands of people to the state’s unemployment statistics.

 

 Once upon a time, “Made in America” stamped on products gave the buyer an assurance of quality.  Government recalls protected our citizens from products that might harm or kill.  As we are increasingly aware, “Made in China” does not always ensure quality (such as pharmaceuticals, tooth paste and defective tires) because of poor Chinese governmental oversight.  In 2007, newspapers reported that some exported toys “Made in China” were produced with high levels of lead paint, being sent to tens of thousands of toy stores throughout the nation, putting our nation’s children at risk. At this time, even lack of product quality control even allowed poisoned pet food manufactured by Chinese companies to be shipped to America, killing thousands of cats and dogs.   

 Resuscitating the Nation’s Manufacturing Sector

With the kickoff of the 113th Congressional Session last month, it is crucial that the Democratic and Republican politicians thoroughly debate this nation’s trade policies and come up with viable bipartisan solutions to reenergizing America’s manufacturing sector.

Most importantly, what steps will President Barrack H. Obama working with a divided Congress take to ensure that American well-paying jobs do not vanish in the global economy?   On Tuesday evening, the President, addressing a joint session of Congress, gave us some clues in his State of the Union speech about retooling America’s manufacturing sector. 

Although the President touched on immigration reform and border security, early child education, clean energy technologies, the war in Afghanistan, and confronting gun violence, he called for fixing the nation’s aging infrastructure, along with launching manufacturing hubs, where businesses partner with the Department of Defense and Energy, to create high tech-jobs.  He looked to Congress to create a network of 15 of these hubs to “guarantee that the next revolution in manufacturing is “Made in America.”   If Congress blocks this economic initiative the defiant President plans to use executive orders to create three hubs on his own.

Meanwhile, redesigning the nation’s high schools to enable graduates to meet the demands of a high-tech economy can only help manufacturing companies, the noted President Obama.  Schools would be rewarded to develop partnerships with colleges and employers to create classes that teach science, technology, engineering and math skills needed by the nation’s manufacturing sector, he said.

In the Ocean State, as part of his ongoing work to jump start Rhode Island’s economy back, U.S. Rep. David N. Cicilline (D-RI)  at North East Knitting Company in Pawtucket, unveiled another version of his Make It In America Manufacturing Act to target federal investment in manufacturing, helping create jobs, generate public-private partnerships, and support small business growth. (This legislative proposal is similar to one that he introduced two years ago.)

“When they’re competing on a level playing field, American workers outperform competitors across the world,” said Cicilline. Noting that Rhode Island’s economy was built on the strength of its manufacturing industry, the Congressman who represents the 1st Congressional District, tapping into feedback from his Ocean State constituents and the Brookings Institution, crafted the legislative proposal to give manufacturer the resources needed to compete successfully, grow jobs, and get the state and national economy moving again.

Senator Kirsten Gillibrand (D-NY), has introduced the companion measure in the Senate.  If signed into law, Cicilline’s Make It In America Manufacturing Act would create a competitive incentive grant program, jointly administered through the Departments of Labor and Commerce. States or regional partnerships may apply for the program, and successful applicants will receive grant funds to help implement innovative Manufacturing Enhancement Strategies. 

Meanwhile, funds can be used to create a revolving loan fund, to issue low interest loans to manufacturers, or to provide grants to non-profits, including community colleges, helping manufacturers to address the skills gap that hinders growth in the manufacturing sector.  The loan funds could also be used to increase exports and domestic supply chain opportunities, improve energy efficiency.  Also, the loans could be used to retool and expand existing manufacturing facilities to compete in the 21st century economy.

Seeking a Bipartisan Compromise

The clocks cannot be turned back.  The global economy is here to stay.  Clearly, Congressional gridlock must end by federal lawmakers seeking legislative solutions to making the nation’s manufacturing sector more competitive in a global economy.  Democratic and GOP lawmakers must hammer out bipartisan solutions to enable the nation’s manufacturing companies to fairly compete worldwide and to ensure that trade polices are balanced and fair for all.  

Many of President Obama’s repackaged proposals (reintroduced in his hour long State of the Union speech) and even Cicilline’s manufacturing proposal were derailed in the last Congress in a Republican-controlled House, where GOP Tea Party members practiced anti-compromise politics.  It becomes crucial for the President’s legislative agenda along with Cicilline’s Make It In America Manufacturing Act, to not be bottled up in the House but truly debated.

With the dust settling from November’s elections, the America public has sent both the President and Congress a strong, clear message that is: work together to fix the nation’s sagging economy. Do the people’s work and leave your political bickering outside the House and Senate Chambers.  Compromise and keep manufacturing in America.

Herb Weiss, LRI ’12, is a freelance writer covering aging, health care and medical, even business issues. He can be reached at hweissri@aol.com

 

           

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