Lupo Celebrates 40th Anniversary with Five Nights of Music

Published in Woonsocket Call on September 20, 2015

Rich Lupo, 66, acknowledges that time flies by fast. In fact his namesake music venue, Lupo’s Heartbreak Hotel, celebrates its 40th Anniversary next month.   We sit at the Cup & Saucer, a retro-fifties decorated diner on Pawtucket’s historic Main St., reminiscing over four decades of being actively involved in Rhode Island’s music scene.

In September 1975, although primarily a blues club, Lupo’s became the first venue operating in the Capitol City to embrace all types of live music. The Brown University graduate opened Lupo’s Heartbreak Hotel at 377 Westminster Street (a 4,000 sq. ft. former retail store) after unsuccessful attempts to a find a location in Fox Point & North Main St.  Ultimately, his decision to open up that club (followed soon by The Met Café & The Living Room) led to a revitalization of Providence’s music scene.

The Early Years

In his early years, Lupo remembers working long hours as a house painter during his college years and after and saved up the $15,000 to start his bar.   As a teenager, he would tell others how cool he thought it would be to open a bar, with people dancing to records playing from a jukebox and listening to live bands. The young club owner dreamed of having Bo Diddley and other rock & roll heroes play on his stage.   This would happen.

According to Lupo, it turned out that customers only showed up on live music nights. So, while the jukebox stayed, band nights soon expanded from one to seven nights per week. The Heartbreak Hotel became a home to bands well-known for blues, rock n roll, country rock, jazz – that came to New England looking for a gig.  Many local favorites — including Roomful of Blues, Rizzz, Wild Turkey, The Young Adults, Schemers, NRBQ and Max Creek – played there and continue to do so.

Lupo says that the first national act at the club was harp player Big Walter Horton in November 1975.  In 1976, teaming up with independent booking agent Jack Reich allowed the club to expand past blues to rock and beyond. That year, The Ramones played his club.  In 1977, Lupo’s had Bo Diddley week – 9 consecutive sold out shows with Bo backed by The Young Adults. Over the next few years more rock n roll and blues icons appeared at Lupo’s: James Brown, Roy Orbison, Jerry Lee Lewis, Muddy Waters, Iggy Pop, The Pretenders, The Go Gos, Stevie Ray Vaughn — to name just a few.

Being Forced Out by Condo Development

In 1988, Providence downtown gentrification would force Lupo close his initial club.  Reaching out to a college friend & realtor, he found his new digs at the former Peerless Department Store, reopening in 1993. The new space was great because, though large, it still had a sense of intimacy.

With its’s 10,000 sq ft of space, the club could do more and larger concerts.  The space also annexed The Met Café, an intimate venue for smaller touring acts and local bands. At The Met, customers saw the early shows of future stars such as Dave Matthews, Oasis, and White Stripes.

At this 2nd Lupo’s, the first shows were Belly and Meat Loaf. Later, the club hosted acts as diverse as Ziggy Marley, Hole, Radiohead, Garbage, Willie Nelson, Green Day, Foo Fighters, Anthrax, and even Tony Bennett.

In 2003, the club was again forced to move and Providence City officials suggested the Strand Building on Washington Street. But the club had to share this space with the existing NV dance club, a separately owned business.

At its new location, there was no room for The Met. It would take 7 years for Lupo & his wife, Sarah, to reopen The Met, just three miles away at the Hope Artiste Village in Pawtucket.

Ending our conversation, Lupo looks back and quickly rattles off some of the ups and downs of the last 40 years.  Although there were plenty of both, Lupo best remembers realizing the dream of his heroes playing his stage and countless nights of joyous audiences – taking some of the sting out of spending 15 of the 40 years fighting evictions.

But, Lupo remains even-keeled by following advice from his eighty year old friend, Chuck Lynch, who always says “Just keep jogging in place.”  If he follows this advice I expect him to remain in business for another 40 years.

The Upcoming Anniversary Celebration

Lupo’s 40th Anniversary Celebration will take place on October 7 – 11, 2015 at The Met, Hope Artiste Village, 1005 Main St. Pawtucket.

Here are the details:

Wednesday, October 7 —   Max Creek $10 (Adv), Doors 6PM | Show 7PM

Thursday, October 8 — “40 Years of Rhody Blues” –  Hosted by Duke Robillard & featuring Al Copley, Rich Lataille, Greg Piccollo, Doug James, Carl Queforth, Marty Ballou, Marty Richards, Rob Nelson with Special Guests: Ken Lyon & James Montgomery. $10, Doors 6PM | Show 7PM

Friday, Oct. 9 — The Schemers, Neutral Nation, Jungle Dogs and Rash. $10, Doors 6PM | Show 7PM

Saturday, October 10 — Rizzz.  Members of the Wild Turkey Band
& Friends featuring Tom Keegan. $10, Doors 6PM | Show 7PM

Sunday, October 11 – The Young Adults, Georgie Porgie & The Cry Babies. $15, Doors 6PM | Show 7PM

For more details, call 401-331-5876 or go to www.lupos.com & http://www.themetri.com

Throughout the Years at the Pawtucket Arts Festival

Published in Pawtucket Times, September 5, 2015

It was over 16 years ago when Kristine Kilmartin married Pawtucket Rep. Peter Kilmartin. The Smithfield native had lived in the city for a few months and. while she was driving through Slater Memorial Park in January 1999 with her new husband, she asked, “Why doesn’t the City take more advantage of its green space?” She wondered why Pawtucket couldn’t plan an event like the Scituate Arts Festival in its vast 209-acre park.

Ultimately, the Kilmartins turned to Mayor James E. Doyle with the idea of creating an arts festival. The green light was given and the work began. After a month of meetings, discussion and planning, the City’s 18-person committee kicked off its first arts festival in June 1999.

“It is hard to believe that 16 Pawtucket Arts Festivals have gone by so fast,” says Attorney General Peter F. Kilmartin, who has served as an honorary co-chair with his wife, Kristine, since its inception. “When we began in 1999, there was a lot of uncertainty about the event’s success and longevity, as with any new venture,” recalls the lawyer and former Pawtucket police officer. My how the Pawtucket Arts Festival has grown.

Kilmartin remembers the Opening Gala was scarcely attended. However, the organizers were not discouraged, he says. “Everyone involved felt we had a good product, and as long as we stuck with it we would be successful,” he added.

Over the years city officials and many dedicated volunteers continued to work hard, he notes, stressing that it “now feels like the Pawtucket Arts Festival is a permanent part of our community.”

With the diversity and quality of programming over 16 years, Kilmartin finds it hard to single out one particular favorite event. But, when pressed by this tenacious columnist, he admits, “We enjoyed the Philharmonic in the Park and the Dragon Boat races,” noting that these two signature events provide “great family fun.”

Looking forward, the fifty-two-year-old lifelong Pawtucket resident believes that new forms of community outreach must happen to attract more people to the festival, this being vital for the Arts Festival’s continued growth and future success. The Attorney General also calls for the broadening of the artistic diversity and ethnicity of its programming, keeping the month-long Arts Festival “fresh.”

A Look Back: Just a Small Sampling

Since 1999, Pawtucket’s Arts Festival organizers have created a citywide showcase of visual and performing arts, interactive workshops, music, theatre and dance performances. Where else could you enjoy a wide variety of music, from blues, jazz, Zydeco, classical, folk, and even pops? Over the years 50,000 people came to listen to the Rhode Island Philharmonic Pop Orchestra, the event concluding with a dazzling firework show over the park’s pond.

Over 15 years, what a listing of musical groups that have played the Pawtucket Arts Festival. World famous Jazz artists Dave McKenna, Scott Hamilton and Gray Sargent, Grammy-nominated Duke Robillard, the internationally acclaimed “Ambassador to the Blues,” and Consuelo and Chuck Sherba’s Aurea, a performance ensemble thrilled the audiences. Many came to dance to the tunes of French-Canadian Conrad Depot, Celtic group Pendragon, folk musicians Atwater & Donnelly and Plain Folk to name a few. Many of these groups appeared on the stages at Slater Mill’s Ethnic and Labor Festival and the Stone Soup Coffee House at Slater Memorial Park or at the folk group’s home venue at St. Paul’s Parish House.

Both young and old alike enjoyed watching the Big Nazo Puppets, clowns or listening to story tellers, including Mark Binder and Valerie Tutson. Parents and their children even packed Shea High School’s auditorium to watch the incredible Dan Butterworth’s Marionette show.

And where else could your children learn the art of making glass, raku pottery or carving stone and wood? Of course, at the City’s Arts Festival. Children workshops, led by Lee Segal, taught tile painting. Youngsters learned how to create sculptures out of junk pulled from the Blackstone River. Only in the City of the “Industrial Revolution” if you had attended one of our art festivals over the last 15 years.

Every year at the City’s Festival Pier thousands of spectators have lined up along the Seekonk River to watch the Dragon Boat races. Art lovers visited one-of-a kind exhibits in art galleries and artist studios throughout Pawtucket. Those attending the City’s Arts Festival watched performances by the Everett Dance Theatre, Fusionworks, Cadence Dance Project, and great plays at the Sandra Gamm Feinstein Theatre, Mixed Magic Theater and Community Player. Film buffs came to meet writers and filmmakers at the Pawtucket Film Festival, questioning these individuals about their film-making techniques.

For movie buffs, Pawtucket-based Mirror Image, has organized its Pawtucket Film Festival for over 15 years in the 100-seat theater in the City’s Visitor Center. Rhode Islander Michael Corrente was one of the more notable film makers who accepted an invitation to attend, and many others followed. The film organizers even brought the internationally-acclaimed Alloy Orchestra to perform a live, original score for Man With a Movie Camera at Tolman High School.

You were also able to watch classic films at other Arts Festival venues, too. One year dozens came to watch Cinema Paradiso (with English subtitles) by Giuseppe Tornatore, projected on the walls of a mill building on Exchange Street, with live music.

Hundreds also gathered at Slater Park to watch chain saw-toting environmental artist and sculptor Michael Higgins Billy Rebele create pieces of artwork on salvaged tree stumps.

While focusing on bringing artistic and musical events, festival organizers did not forget to bring public art into the City. In 15 years, six permanent sculptures were donated to the City of Pawtucket. An original oil painting of the Hope Webbing Mill in Pawtucket, painted by internationally-recognized Artist Gretchen Dow-Simpson, was purchased and donated to the City in 2004, and is now showcased in the Mayor’s Office.

Some Pawtucket Arts Festival Trivia…

As Kilmartin remembered, the first opening gala, held in the City library is 1999 attracted a small crowd, around 35 people. At the end of the evening each person was given Ronzio pizzas to take home. Last year we saw over 2,000 people gather at this long awaited opening event. Crowds at the Dragon Boat races have also held steady over the years, bringing thousands to the City’s Festival Pier. For over a decade, over 6,000 people have attended the Rhode Island Philharmonic Orchestra Concert in Slater Memorial Park. The Pawtucket Teachers’ Alliance, with their very generous $15,000 donation continue to make this event happen.

For 15 years, Patricia Zacks, of the Providence-based Camera Werks and lifelong Pawtucket resident, has organized a photo contest at every arts festival, which includes participation from students from Pawtucket Public Schools, where winning photos are judged by some of the State’s top recognized photographers select their favorite photos that will appear in the City of Pawtucket’s Photo Calendar. Thousands of Pawtucket students also learned the art of photography from Zacks and over 180 scenes of Pawtucket have appeared in these calendars.

During these years, the Taiwan Economic and Cultural Office in Boston also sponsored the Chinese performances that were held throughout the day of the Dragon Boat races. Pawtucket’s annual race is now being promoted nationally by other Dragon Boat festivals. In its second year, in 2000, the Dragon Boat races second year, American Airlines donated 18 free round trip tickets to Taiwan to the winning boat, an estimated value of $60,000. This year the winning professional team will take home $10,000, while the local team winner will receive $5,000.

In the early years trolley tours led by Zacks of the Pawtucket Arts Collaborative and Len Lavoie, of RICIR, initially organized trips to mill buildings throughout the City. Because of these trolley tours, at least two couples have relocated to Pawtucket to live in mill lofts in the City’s historic downtown. The trolley tours, showcasing Pawtucket artist’s one-of-a-kind works, would later be replaced by XOS- Exchange Street Open Studios and Arts Market Place Pawtucket at the historic Pawtucket Armory.

In 2005, from an idea sparked by then program chair, Patricia Zacks and community activist and Stone Soup President, Richard Walton, led them to meet with Paw-Sox executives to ‘go big’ which set off a series of acts to perform at McCoy Stadium beginning in 2006. These artists included: Bob Dylan, (twice), John Mellencamp, Counting Crows, Drop Kick Murph’s; Kenny Loggins and the Boston Pops Orchestra; Further and Willie Nelson.

Since 1999 the steady growth of participating artists, corporate sponsors, volunteers and attendees indicate quality programming and a well-managed event that has become a permanent fixture in the Pawtucket community. Over 16 years, the Pawtucket Arts Festival has awakened the pride of Pawtucket’s residents and continues to stimulate the creative energies of its artist community, and have an economic impact on the City.

Chair John Baxter and his hard working Board of Directors (Rich Waltrous, Keith Fayan, Lori-Ann Gagne and this columunist), Arts Festival Manager Joe Giocastro, Artistic Director Mary Lee Partington, and Volunteer Coordinators Patricia Zacks and Paul Audette, prepare to unveil this year’s Arts Festival tonight at the Blackstone River Party/Taste of Pawtucket at 6 p.m. at Slater Mill. Let the show begin. See you there.

For a complete event listings go to http://www.pawtucketartsfestival.org, or 1-800-454-2882.

Herb Weiss, LRI ’12, is a Pawtucket-based writer who covers aging, medical and health care issues. He can be reached at hweissri@aol.com. He serves as the Pawtucket’s Economic & Cultural Affairs officer and sits of the Board of Directors of Pawtucket Arts Festival.

RI Music Hall of Fame is Poised to Honor the Best

Published in Pawtucket Times, April 18, 2014

Arthur “Pooch” Tavares, with nearly 60 years in the music business, continues to reach out to his old fans and to new generations as well. The 70-year-old Tavares is still performing about 75 concerts a year all over the world with three of the brothers (Perry “Tiny,” Antone “Chubby” and Feliciano “Butch”) who made up the original quintet which became know worldwide as simply Tavares. (Fifth brother Ralph retired from the road in the 1980s.)

The brothers grew up in the Fox Point and South Side neighborhoods of Providence and Tavares says, “The good lord has seen fit to keep us all together.” The most notable moment he remembers from his long career is when The Bee Gees gave his group “,” one of the key songs in the score to Saturday Night Fever, for which they won a 1977 Grammy Award. But running a close second is being inducted into the Rhode Island Music Hall of Fame.

“It’s quite an honor to be recognized for your music in the place where you were born,” states Tavares.

With just two weeks to go until the induction of this year’s class into the Rhode Island Music Hall of Fame (RIMHOF) on May 4, at The Met at the historic Hope Artiste Village, Vice Chair Rick Bellaire gives this columnist the details about those who are being recognized as Rhode Island’s best.

In announcing the RIMHOF Class of 2014, Bellaire says, “This initiative provides a great opportunity to acknowledge Rhode Island’s musical greats and celebrate their achievements and now we finally have an organization whose primary goal is to promote and preserve our state’s rich musical heritage. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Bellaire notes that it’s sometimes easy to forget, and even hard for some to believe, that such world-acclaimed artists actually have roots right here in Ocean State. “For the smallest state, Rhode island has produced an inordinately large number of truly great, successful and important artists and their devoted local fans helped to place them on the world stage. Tavares is a case in point.”

According to Bellaire, from their earliest days in the Fox Point neighborhood of Providence, it was clear the seven Tavares brothers were born to make music. They are recognized as pioneers in the evolution of R&B from the Soul era into the modern Funk and Disco movements of the ’70s and ’80s. They had over a dozen major hits and won a Grammy for “More Than A Woman,” their contribution to Saturday Night Fever. “But,” says Bellaire, “the best part of the Tavares story for me is not about how great they are or how successful they are. Everyone knows that. For me it’s about their journey. They worked really hard to get to the top. Their story will continue to inspire young musicians for decades to come.” Tavares will appear in concert on May 3 at Lupo’s Heartbreak Hotel.

Bellaire provides some background on the other new RIMHOF inductees:

The Castaleers are recognized as the state’s Rhythm & Blues trailblazers. They came together in the mid-1950s when members of various groups formed a permanent lineup consisting of Richard Jones (later replaced by Joe Hill), George Smith, Dell Padgett, Ron Henries and Benny Barros. In partnership with songwriters/producers Myron and Ray Muffs, they had four national releases and paved the way for the rest of Rhode Island’s R&B greats.

Paul Gonsalves of Pawtucket started out playing tenor sax in big bands including Count Basie’s. As a master of many styles, he became a pivotal figure in the evolution of post-war modern jazz. He joined Duke Ellington in 1950 and provided a crucial ingredient in the modernization of Duke’s sound. His place in the history books was guaranteed by his famous 27 chorus improvisation on “Diminuendo and Crescendo In Blue” at the 1956 Newport Jazz Festival.

Randy Hien of Woonsocket entered the music business in 1971 when he took on the job of reopening the old Loew’s State Theatre as The Palace in downtown Providence to present Rock ’n’ Roll concerts. When the Palace closed 1975, Randy purchased the original Living Room on Westminster Street by trading the keys to his Jaguar XKE for the keys to the club and the liquor license. He kickstarted Rhode Island’s original music scene by instituting a policy which welcomed bands who performed their own music. The club became the center of the state’s music scene and Randy its biggest supporter

Rhode Island Philharmonic Orchestra founder and conductor emeritus Francis Madeira initially came to Providence to teach music at Brown University in 1943. Finding no professional symphonic orchestra, he created one bringing together a 30-member ensemble that would bring the music of the European masters to the Ocean State. Maestro Madeira will be inducted into RIMHOF on May 10 during a performance by the Philharmonic at Veterans Memorial Auditorium in Providence.

Winston Cogswell of Warwick,was literally present at the birth of Rock ’n’ Roll after moving to Memphis, Tennessee in 1954. At Sun Records, as a guitarist, pianist, songwriter, arranger, producer and recording artist under the name “Wayne Powers,” he collaborated with some of the most important figures in music history including Johnny Cash, Jerry Lee Lewis and Roy Orbison. He returned to Warwick in 1960 and began working with pianist/composer Ray Peterson. The duo formed Wye Records with a third partner, engineer Ken Dutton, and their debut release as The Mark II, “Night Theme,” became a national hit. Wye remains the only Rhode Island label to score a Hot 100 hit.

By the end of the 1960s, Duke Robillard of Woonsocket had already earned a reputation as one of the finest blues guitarists in the state after stints with the short-lived original lineup of Roomful of Blues and Ken Lyon’s Tombstone Blues Band. In 1970, he reformed Roomful with a three-piece horn section to play jump blues and under his leadership, the band practically single-handedly revived the genre with two albums for Island Records. In the early 1980s, Duke began to pursue a solo career at Rounder Records. His jazzier side emerged with the release of “Swing” in 1987 to critical acclaim. “Duke recently told me he feels that, in music, blues is the universal language,” says Bellaire. “So I say, Duke Robillard is fluent in many languages!”

Freddie Scott of Providence moved to New York in 1956 and began his career as a songwriter for Don Kirshner working alongside to Carole King, Neil Sedaka and Paul Simon. His songs from this period were recorded by Ricky Nelson, Paul Anka, Tommy Hunt and Tommy Hunt. Freddie entered the charts as a singer himself in 1963 with “Hey Girl” written by his friends Carole King and Gerry Goffin. It hit Billboard’s Top 10 and is considered a classic today. In 1966, he scored a #1 R&B song with “Are You Lonely For Me.” His last album was “Brand New Man” in 2001.

In 1976, Cheryl Wheeler moved to Rhode Island to pursue a career in music on the Newport folk scene. She was quickly recognized as one of the finest songwriters and singers to surface in a decade or more. In 1986, her first album brought her national attention. Her song “Addicted” was taken all the way to #1 on Billboard’s Top 40 Country chart by superstar Dan Seals in 1988. Since then, she has released a series of albums of her comic and emotionally intense songs
which are considered singer-songwriter classics around the world. Says Bellaire, “Cheryl is a treasure. Her songs are perfect – every note and every word propels the story forward. She’s also a masterful performer. She can have you in tears one minute and rolling in the aisle the next. Every show is magical.”

RIMHOF Chair Bob Billington says, “This year’s honorees are amazing. Their histories in music are superior. Rhode Islanders should meet and greet them in person at our events. They will not be disappointed.”

Tickets for the Saturday, May 3 Tavares concert at Lupo’s and for the induction ceremonies and concert on Sunday, May 4 at The Met can be purchased at
http://www.rhodeislandmusichalloffame.com.

Herb Weiss, LRI ’12, is a Pawtucket writer who covers aging, health care and medical issues. He can be reached at hweissri@aol.com. He also serves on RIMHOF’s Board of Directors.