Leonard Hits High Notes

Published February 27, 2015 in Senior Digest

Before even cutting his first record, little did Pawtucket’s George Leonard realize that he would help set legal precedents for student dress codes as well as ultimately make it into the rock ‘n’ roll history books and now, in 2015, into the Rhode Island Music Hall of Fame (RIMHOF).

When Leonard’s family relocated to nearby Attleboro in 1964, the young high school student was tossed out on the first day of school for having a “Beatle-length” haircut. Already an established professional musician, Leonard filed a freedom of expression lawsuit against the School Department, which dragged on through several appeals and wound up in the Massachusetts Supreme Court. Although the court finally sided with the School Department, it was too late.

“This was a landmark case. Students all over the country, following George’s example, began demanding their right to freedom of expression as guaranteed by the U.S. Constitution. Long hair became the order of the day,” said Rick Bellaire, RIMHOF vice chair and archive director.

The teenager deftly capitalized on the intense interest generated by the internationally publicized lawsuit, which brought his band, Georgie Porgie & The Cry Babies, onto the thriving New York City discotheque scene of the mid-1960s.

The popularity of the band led to two national releases for Jubilee Records. After the Cry Babies ran its course, Leonard composed and produced the controversial rock opera, “Bozo.”   He later, under his alter-ego, “Commander Video,” became a cable TV pioneer on the blossoming performance art scene in New York City in the 1970s.

Although the 67-year-old musician resides in Bristol, he still strongly feels his connections to Pawtucket. “I only perform for my friends these days,” says Leonard, admitting that he enjoys playing jazz much more than rock ‘n’ roll and blues.

Looking back, Leonard says that passion never pushed him into the music business. Practically speaking, “It was always easy for me to play music and I enjoyed writing songs,” he said.

According to Bellaire, Leonard will be inducted into the RIMHOF with The Schemers/Raindogs, Brenda Bennett, Nelson Eddy, George Masso, George Wein, Duke Belaire, Paco Zimmer, The Others and The Ascots (recognizing the great Rhode Island garage bands of the ‘60s along with Leonard), Bob Petteruti, Marty Ballou and Marty Richards (in the new “MVP sideman award” category).

“The Music Hall of Fame initiative,” says Bellaire, “provides a great opportunity to not only acknowledge Rhode Island’s musical greats and celebrate their achievements, but to finally have an organization whose primary goal is to promote and preserve Rhode Island’s rich musical heritage in all its forms. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

This year, Bellaire said, there will be two induction ceremonies, and 11 more displays will be unveiled to celebrate inductees. Eventually, the museum will have more than 100 displays as well as memorabilia and interactive components.

The induction of jazz musicians will take place on April 20 at 7 p.m. at Bovi’s Tavern, 287 Taunton Ave., East Providence, before the weekly performance by the John Allmark Jazz Orchestra. George Masso, Bob Petteruti and Duke Belaire, the founder of the Bovi’s big band, will be honored.

On April 26, there will be an induction ceremony and concert at The MET and Hall of Fame within Hope Artiste Village, 999 Main St., Pawtucket. An afternoon event will include the unveiling of the inductee exhibits as well as performances by The Schemers, Raindogs, Brenda Bennett, The Ascots, TheOthers and an all-star jam session led by two of this year’s MVP sideman award winners — Ballou and Richards.

The 2 p.m. unveiling is free, but a ticket will be required for entrance to the 3 p.m. concert in the MET. Tickets are $20 in advance and $25 at the door and can be purchased atwww.RhodeIslandMusicHallofFame.com

Robert Billington, chair of the RIMHOF, said, “This year’s class of inductees is especially amazing due to the variety of music styles and musical periods that we are recognizing. The thousand Saturday nights that these musicians spent on the road throughout their careers will be recognized this April as their colleagues throughout Rhode Island stand to applaud their successes.

“Our induction ceremony … has become the place for a ‘who’s who in Rhode Island music,” he said. “The Rhode Island Music Hall of Fame Induction ceremony and concert is the place to be and be seen at as we continue to showcase the history of Rhode Island’s musical heroes.”

Bellaire noted, “In past years, we’ve been delighted to induct many senior members of Rhode Island’s music community. For instance, last year The Mark II – Wayne Cogswell and Ray Peterson who are both in their 80s — were on hand to accept their awards and perform, and Rhode Island Philharmonic founder Francis Madeira at 97 came all the way down from Maine to accept his award during a philharmonic performance at The Vets.

“This year, we will be honored to have some of the most senior inductees with us,” he continued, “… all of whom are still active participants on the music scene, including drummer/band leader Duke Belaire (83), bassist/educator Bob Petteruti (85), trombonist/educator George Masso (88), and Newport Jazz and Folk festival founder George Wein (89).”

Herb Weiss is a Pawtucket-based writer. Contact him at hweissri@aol.com.

 

RI Music Hall of Fame is Poised to Honor the Best

Published in Pawtucket Times, April 18, 2014

Arthur “Pooch” Tavares, with nearly 60 years in the music business, continues to reach out to his old fans and to new generations as well. The 70-year-old Tavares is still performing about 75 concerts a year all over the world with three of the brothers (Perry “Tiny,” Antone “Chubby” and Feliciano “Butch”) who made up the original quintet which became know worldwide as simply Tavares. (Fifth brother Ralph retired from the road in the 1980s.)

The brothers grew up in the Fox Point and South Side neighborhoods of Providence and Tavares says, “The good lord has seen fit to keep us all together.” The most notable moment he remembers from his long career is when The Bee Gees gave his group “,” one of the key songs in the score to Saturday Night Fever, for which they won a 1977 Grammy Award. But running a close second is being inducted into the Rhode Island Music Hall of Fame.

“It’s quite an honor to be recognized for your music in the place where you were born,” states Tavares.

With just two weeks to go until the induction of this year’s class into the Rhode Island Music Hall of Fame (RIMHOF) on May 4, at The Met at the historic Hope Artiste Village, Vice Chair Rick Bellaire gives this columnist the details about those who are being recognized as Rhode Island’s best.

In announcing the RIMHOF Class of 2014, Bellaire says, “This initiative provides a great opportunity to acknowledge Rhode Island’s musical greats and celebrate their achievements and now we finally have an organization whose primary goal is to promote and preserve our state’s rich musical heritage. With actual exhibit space, coupled with our online archive, we have in place the tools to curate and showcase the best of Rhode Island’s musical artistry.”

Bellaire notes that it’s sometimes easy to forget, and even hard for some to believe, that such world-acclaimed artists actually have roots right here in Ocean State. “For the smallest state, Rhode island has produced an inordinately large number of truly great, successful and important artists and their devoted local fans helped to place them on the world stage. Tavares is a case in point.”

According to Bellaire, from their earliest days in the Fox Point neighborhood of Providence, it was clear the seven Tavares brothers were born to make music. They are recognized as pioneers in the evolution of R&B from the Soul era into the modern Funk and Disco movements of the ’70s and ’80s. They had over a dozen major hits and won a Grammy for “More Than A Woman,” their contribution to Saturday Night Fever. “But,” says Bellaire, “the best part of the Tavares story for me is not about how great they are or how successful they are. Everyone knows that. For me it’s about their journey. They worked really hard to get to the top. Their story will continue to inspire young musicians for decades to come.” Tavares will appear in concert on May 3 at Lupo’s Heartbreak Hotel.

Bellaire provides some background on the other new RIMHOF inductees:

The Castaleers are recognized as the state’s Rhythm & Blues trailblazers. They came together in the mid-1950s when members of various groups formed a permanent lineup consisting of Richard Jones (later replaced by Joe Hill), George Smith, Dell Padgett, Ron Henries and Benny Barros. In partnership with songwriters/producers Myron and Ray Muffs, they had four national releases and paved the way for the rest of Rhode Island’s R&B greats.

Paul Gonsalves of Pawtucket started out playing tenor sax in big bands including Count Basie’s. As a master of many styles, he became a pivotal figure in the evolution of post-war modern jazz. He joined Duke Ellington in 1950 and provided a crucial ingredient in the modernization of Duke’s sound. His place in the history books was guaranteed by his famous 27 chorus improvisation on “Diminuendo and Crescendo In Blue” at the 1956 Newport Jazz Festival.

Randy Hien of Woonsocket entered the music business in 1971 when he took on the job of reopening the old Loew’s State Theatre as The Palace in downtown Providence to present Rock ’n’ Roll concerts. When the Palace closed 1975, Randy purchased the original Living Room on Westminster Street by trading the keys to his Jaguar XKE for the keys to the club and the liquor license. He kickstarted Rhode Island’s original music scene by instituting a policy which welcomed bands who performed their own music. The club became the center of the state’s music scene and Randy its biggest supporter

Rhode Island Philharmonic Orchestra founder and conductor emeritus Francis Madeira initially came to Providence to teach music at Brown University in 1943. Finding no professional symphonic orchestra, he created one bringing together a 30-member ensemble that would bring the music of the European masters to the Ocean State. Maestro Madeira will be inducted into RIMHOF on May 10 during a performance by the Philharmonic at Veterans Memorial Auditorium in Providence.

Winston Cogswell of Warwick,was literally present at the birth of Rock ’n’ Roll after moving to Memphis, Tennessee in 1954. At Sun Records, as a guitarist, pianist, songwriter, arranger, producer and recording artist under the name “Wayne Powers,” he collaborated with some of the most important figures in music history including Johnny Cash, Jerry Lee Lewis and Roy Orbison. He returned to Warwick in 1960 and began working with pianist/composer Ray Peterson. The duo formed Wye Records with a third partner, engineer Ken Dutton, and their debut release as The Mark II, “Night Theme,” became a national hit. Wye remains the only Rhode Island label to score a Hot 100 hit.

By the end of the 1960s, Duke Robillard of Woonsocket had already earned a reputation as one of the finest blues guitarists in the state after stints with the short-lived original lineup of Roomful of Blues and Ken Lyon’s Tombstone Blues Band. In 1970, he reformed Roomful with a three-piece horn section to play jump blues and under his leadership, the band practically single-handedly revived the genre with two albums for Island Records. In the early 1980s, Duke began to pursue a solo career at Rounder Records. His jazzier side emerged with the release of “Swing” in 1987 to critical acclaim. “Duke recently told me he feels that, in music, blues is the universal language,” says Bellaire. “So I say, Duke Robillard is fluent in many languages!”

Freddie Scott of Providence moved to New York in 1956 and began his career as a songwriter for Don Kirshner working alongside to Carole King, Neil Sedaka and Paul Simon. His songs from this period were recorded by Ricky Nelson, Paul Anka, Tommy Hunt and Tommy Hunt. Freddie entered the charts as a singer himself in 1963 with “Hey Girl” written by his friends Carole King and Gerry Goffin. It hit Billboard’s Top 10 and is considered a classic today. In 1966, he scored a #1 R&B song with “Are You Lonely For Me.” His last album was “Brand New Man” in 2001.

In 1976, Cheryl Wheeler moved to Rhode Island to pursue a career in music on the Newport folk scene. She was quickly recognized as one of the finest songwriters and singers to surface in a decade or more. In 1986, her first album brought her national attention. Her song “Addicted” was taken all the way to #1 on Billboard’s Top 40 Country chart by superstar Dan Seals in 1988. Since then, she has released a series of albums of her comic and emotionally intense songs
which are considered singer-songwriter classics around the world. Says Bellaire, “Cheryl is a treasure. Her songs are perfect – every note and every word propels the story forward. She’s also a masterful performer. She can have you in tears one minute and rolling in the aisle the next. Every show is magical.”

RIMHOF Chair Bob Billington says, “This year’s honorees are amazing. Their histories in music are superior. Rhode Islanders should meet and greet them in person at our events. They will not be disappointed.”

Tickets for the Saturday, May 3 Tavares concert at Lupo’s and for the induction ceremonies and concert on Sunday, May 4 at The Met can be purchased at
http://www.rhodeislandmusichalloffame.com.

Herb Weiss, LRI ’12, is a Pawtucket writer who covers aging, health care and medical issues. He can be reached at hweissri@aol.com. He also serves on RIMHOF’s Board of Directors.

Concerts Support Health Care Initiative for R.I. Musicians

Published in Pawtucket Times, November 8, 2013

When Bruce McCrae (a.k.a. Rudy Cheeks), a member of legendary Rhode Island musical bands the “Fabulous Motels,” “The Young Adults” and “The Jackiebeat Orchestra,” left his full-time job in 2011, the sixty-one year old had the freedom to pursue his dream of creating a television series about Rhode Island’s music scene. But, the long-time musician, a highly regarded columnist who writes the Phillipe & Jorge’s Cool Cool World with sidekick Chip Young for the Providence Phoenix, left his employment with no health care coverage in place.

Throughout his career, Cheeks had health care insurance when he was employed by radio stations or at Insight, a nonprofit serving blind and visually impaired Rhode Islanders. Today, at age 63, Cheeks, who is Executive Producer and host for the TV show “Meet Me at the Met,” is among hundreds of Ocean State musicians who do not have health insurance (unless they are the lucky few provided coverage through a spouse’s coverage.)

Cheeks clearly understands the value of health insurance coverage. Three years ago, high blood pressure would put him in the intensive care unit at Rhode Island Hospital. Luckily he had health insurance at that time. But today, with no health insurance coverage he is forced to forgo medical treatment from a primary care physician even if he is sick.

Bringing Health Care to Musicians

In 2011, Cheeks and a group of local musicians banded together to found the Rhode Island Music Hall of Fame (RIMHOF). Although the Pawtucket-based nonprofit is primarily dedicated to celebrating and honoring the legacy of Rhode Island musicians, educators and industry professionals, who have made significant contributions to both the local and national music scene, the Organization also decided to turn its attention to bringing health care and wellness options to those in the music scene, says Cheeks.

According to Cheeks, RIMHOF’s Tune In & Tune Up initiative came about because its Board members, along with many of the state’s musicians, were fed up with the lack of affordable health care options for those in the music community.

The Tune In & Tune Up (TI&TU) Rhode Island Musicians Health Awareness Initiative has already partnered with medical professionals such as Dr. Stephanie Hansen, psychologist, and Dr. Mark Andreozzi, ENT, who both serve on the advisory committee. They also support Dr. Zaheer A. Shah’s Access Basic Care (ABC) initiative and have already enrolled nine R.I. musicians in Shah’s membership health care program, some who had not had an annual physical for decades.

The ABC initiative waives a $15 charge for health visits when the patient presents their TI&TU membership card. RIMHOF is also looking into other well-run, inexpensive and effective health care programs to suggest to members, adds Cheeks.

As part of TI&TU, members will be eligible for discounts at area health and wellness retail locations and will receive free admission to a planned series of health-related forums geared specifically to musicians. Additionally, a web site focusing on the music community will be developed directing them to area health and wellness options and trying to make the topic of health care more understandable so they don’t just “tune out.”

To date, Cheeks and 100 people in the music industry have been issued TI&TU membership cards. RIMHOF anticipates another 200 to be signed up for and available by the Unity Concerts weekend.

In addition, TI&TU’s planned bi-monthly series of conversations/ workshops will focus on topics aimed at the music community, everything from carpal tunnel problems, to stage anxiety, to vocal health and more. The first of the series will feature Megan Hall, the Outreach and Education Lead at HealthsourceRI.

A Call for Action

According to a RIMHOF press release, during the nonprofit’s first induction ceremony in 2012, Hall of Fame inductee Ken Lyon mentioned from the stage that many musicians in the Ocean State do not have adequate health care and that it was an issue that concerned him greatly. He challenged the Hall of Fame to look into this important issue and that is exactly what happened as board member Don “D.C.” Culp started constructing what would eventually turn in to a grassroots movement spearheaded by several Hall of Fame board members.

Culp explains “I first brought up the idea of joining together some type of affordable health care with a health awareness information center. The idea was met with great enthusiasm but also a realization of the greatest obstacle to overcome – existing programs with very high monthly fees and/or high co-pays which make them far from affordable for most musicians.”

“Unfortunately,” RIMHOF chair Robert Billington says, “most in the music community make the hard decision to live without proper preventive health care, skipping routine annual exams and turning down medical services because they can’t afford them or are unwilling to pay their insurance’s high deductibles if they even have insurance. In effect, people are denying themselves basic primary care.”

Fellow RIMHOF board member and Tune In & Tune Up cofounder Russell Gusetti, who plays in Pendragon, one of Rhode Island’s most prominent Celtic band, adds, “It can be scary being a musician. Because we are independent contractors, we usually have no health insurance unless we are lucky enough to have a spouse who does. Because we don’t work for just one company, musicians have no benefits nor do we make much to begin with.”

Gusetti notes, “Too many of us have seen friends who are musicians go without health care of any kind, simply because they felt they could not afford it. So year after year, we end up holding benefit concerts for fellow musicians who have suffered major health events. And with musicians, if you are sick, you don’t play. And if you don’t play, you can’t earn a living let alone pay for health care visits or procedures. It made us want to do something to let the music community know that there ARE options out there for affordable health care and that prevention really IS the best medicine.”

Culp adds, “And we want to be clear – we are trying to reach the entire music community so that includes music professionals such as sound techs, studio engineers, roadies and more, as well as their spouses. We also want to stress that there is no paid staff or financial gain for RIMHOF or Tune In & Tune Up committee members. Our sole interest is helping our fellow musicians… it is straight from the heart.”

Gusetti concludes, “Instead of only reacting after a health problem becomes serious we hope we can, in some small way, inspire the music community to be proactive about their health so they can prevent or address some health problems before they get even worse. And if we become a model for the dance, visual arts and acting community, we would be thrilled as we all face similar situations and as parts of the creative community, we are all in this together.”

RIMHOF organizers say that the upcoming Unity Concerts idea builds off the March, 2013 CD release concerts held at The Ocean Mist by 2012 Hall of Fame inductees Roomful of Blues who chose to donate the proceeds of one of those concerts to the Tune In & Tune Up initiative which was just then getting off the ground. Ocean Mist owner Kevin Finnegan was so inspired by the idea that he suggested trying an even bigger benefit event with more bands later in the year.

The Unity Concerts Benefits Musicians

So, this weekend, RIMHOF, in partnership with The Wakefield-based Ocean Mist (895 Matunuck Beach Rd) will hold The Unity Concerts, with ALL proceeds benefiting the TI&TU Rhode Island Musicians Health Awareness Program, tomorrow, November 9, from 6 p.m. to 1 a.m., and Sunday, November 10, from 2 p.m. to 11:30 p.m.

Participating bands, who are all donating their performances, represent an unprecedented array of R.I. talent teamed with the generous donation of the venue as well as concert support by The Ocean Mist. The weekend features four inductees to the R.I. Music Hall of Fame on the same stage for the first time – John Cafferty and the Beaver Brown Band, Roomful of Blues, Ken Lyon, and Steve Smith & the Nakeds. In addition, participating bands include every musician member of the R.I. Music Hall of Fame board as well as two up-and-coming bands – Kim Petrarca and The Brian McKenzie Band – to further the Hall’s mission of also spotlighting new musical talent in the Ocean State while celebrating Rhode Island’s past and present music scene.

On Saturday, the lineup in order of appearance is: Adrienne West and the Tabers, Rossoni, The Brian McKenzie Band, John Cafferty and the Beaver Brown Band, The 100 Watt Suns, and The Rudy Cheeks Band.

Sunday’s lineup in order of appearance features: Kim Petrarca, Ken Lyon, The Zimmermen, Longshot VooDoo, Becky Chace, Mark Cutler, Pendragon, Roomful of Blues, Steve Smith & the Nakeds, and James Montgomery.

Cheeks gives credit to RIMHOF for getting the ball rolling on putting together an initiative to bring health care to Rhode Island musicians who are not covered. “You need a large organization [and vision] to take it on. I am glad they saw a problem and moved quickly to address it,” he says.

Admission to the Unity Concerts is only $20.00 per day or $35.00 for a weekend ticket. Etix can be purchased at http://www.oceanmist.net or tickets can be purchased at the door. For a special room rate for the Unity Concerts call the Hampton Inn South Kingstown at 401/788-3500.

Herb Weiss, LRI ’12, is a Pawtucket-based freelance writer covering aging, health care and medical issues. Weiss is a board member of the Rhode Island Music Hall of Fame. He can be reached at hweissri@aol.com.